Hey, all, here’s my weekly writing report card.
This week’s quote is from Julie Andrews.
“Perseverance is failing 19 times and succeeding the 20th.”
Julie Andrews may not have been talking about writing, but the sentiment certainly applies. Writing, especially publishing, is a long string of failures broken by occasional successes. I don’t mean to sound pessimistic. I’m generally upbeat about the trials and tribulations involved with writing, but the fact remains if you want to write (and publish), you need get well acquainted with failure and more importantly, perseverance. I’ve had stories rejected fifteen times and then published on the sixteenth. I have completed one trunk novel, and for all I know I may be working on another. The point is that if it takes me twenty tries to publish a story or two trunk novels before I sell the third one, I’ll keep going. Because, yeah, you might fail the first nineteen times, but if you’re doing it right, each of those nineteen tries taught you something that improves your chances of succeeding on the twentieth.
I made good progress, writing just under 8,200 words and pushing the manuscript up to over 63,000 words. I think I may have done some of the best writing in the book last week. I had three really good days, where the words flowed, and I was happy with what I ended up with. It was all emotionally charged character stuff, and I think the pain, regret, and loss I was trying to convey came through loud and clear. I’m heading into the middle of the third act, and things are likely going to develop quickly. I’m still targeting 90,000 words total, and as I get closer to the end of the story that feels less like an arbitrary number and more like the book’s natural length.
Not a stellar week for submissions but certainly better than the week before.
Just two submissions last week, which gives me forty-six for the year. I want to hit fifty by the end of the month. Other than the two submissions, things were pretty quiet. No rejections, no acceptances, no publications. I expect news on some of my pending submissions soon. Some of those will certainly be rejections, and the silver lining there is it’ll give me more stories to submit. 🙂
This week, I want to talk about a new pro sci-fi market called Dark Matter Magazine. Sure, I’m a little biased since they recently accepted one of my stories, but they really are an exciting new addition to the industry, and everything I’ve seen thus far says they’re gonna be around for the long haul.
Here are some of the highlights from their submission guidelines. They are currently open to submissions, by the way.
Having received and signed the contract for my story, I can say Dark Matter’s contract is exactly what you want to see as an author, and it conforms to accepted industry standards as outlined in places like the SFWA model magazine contract. I’m also a big fan of the way they’ve been marketing on their social media platforms. It’s the kind of thing that’s immensely helpful to author and publisher.
Here are my writing goals for this week.
That was my week. How was yours?
I’ve been writing this blog since 2015. In that time I’ve dispensed a lot of advice on how to handle the various aspects of submitting a story, usually in a series called Submission Protocol. In the last five years, however, my understanding of the submission process has grown, and as I look back at some of the old Submission Protocol posts, I realize that a) my stance on certain things have changed, and b) I’m just, well, more knowledgeable. Therefore, it’s time to revisit and update some of these topics, and we’re gonna start with something easy: story length.
Every single set of submission guidelines you read is going to tell you what length of story the market publishes. This should be one of the first things you check in the guidelines It’ll usually be listed as minimum and a maximum, like so:
Word Limit: 1000-5000 words, no exceptions
Pretty straightforward, right? The publisher will consider stories as short as 1,000 words and as long as 5,000 words. They will probably auto-reject any story that drops below the minimum or exceeds the maximum. Most publishers calculate word count by excluding the title, byline, and any contact information in the manuscript and count only the words of the story itself. So there’s no excuse not to count them yourself before you submit. It is NOT okay to submit a story even a little over the maximum or under the minimum, thinking the publisher won’t mind. They will, you’ll get a rejection, and you’ll end up looking unprofessional. So don’t do it.
Often times a publisher will list a word count range they will consider, but might have preferred story length. That looks something like this:
We want short stories between about 1,500 and 6,000 words. The sweet spot is around 4,500 words which is close to 30 minutes of story.
You’ll see guidelines like this fairly often. In this case, the publisher is an audio podcast and the preferred length of story has a lot to do with the preferred length of the podcast. It’s not that you shouldn’t submit a story that’s longer or shorter (as long as it’s within the range they publish), but it’s important to understand it might affect your chances. It could be a better idea to try and find a market that caters to your story length or even prefers it.
These three story lengths special cases, and there are things to consider even when a market will accept them.
These are stories under 1,000 words (though some publishers might set the limit at 750), and there are a number of markets that publish this length exclusively. There are also markets that technically publish flash, but it’s not their bread and butter. In my experience, selling flash to markets that don’t publish it exclusively is more challenging. It can be done, and I’ve done it, but I think markets that publish primarily short stories look at flash fiction as a novelty or even something to fill space or round at an issue. As such, they might only publish one flash piece per issue, reducing your chances of getting the story accepted.
Novelettes & Novellas
A novelette is a story between 7,500 and 15,000 words (generally), while a novella is usually between 15,000 and 40,000 (again, generally). The definitions of these two lengths vary from publisher to publisher, but there are a fair number of markets, especially in sci-fi and fantasy, that consider stories of these lengths. But, like with flash, these are generally outside of the typical story a market publishes, and they may only publish one per issue (or less). A lot of publishers are very upfront about this, though. For example:
While we try to have one longer work of 15-20,000 words in every issue, that is only one story out of a dozen.
So, like with flash, your chances of selling a novelette or novella are simply reduced because even markets that accept them might only publish one per issue. Unlike flash, however, which benefits from markets that publish sub-1000-word stories exclusively, there are no markets to my knowledge that do this for novelettes or novellas. So if you’re going to write longer stories, this is something to keep in mind. That said, some traditional book publishers will consider novellas, usually around 30,000 to 40,000 words, so that does give you another avenue to sell works at that length.
To sum up, one of the first things you should check in the submission guidelines is the length of story the market accepts. Your story should conform to those guidelines without exception because the first rule of submissions is we ALWAYS follow the submission guidelines. Right? Right.
Way late, but here’s another quick look at the writing week that was.
This week’s quote comes from author Anne Lamott.
“Get it all down. Let it pour out of you and onto the page. Write an incredibly shitty, self-indulgent, whiny, mewling first draft. Then take out as many of the excesses as you can.”
— Anne Lamott
As you may have guessed, and as you’ll certainly learn as you read more of this post, I’m still in the middle of a first draft of a novel. I think Anne Lamott’s adjectives above pretty much describe what I’ve got. Shitty: Yep, there is some clunky-ass prose in this thing as well the usual repetition, plot holes, and other ugliness. Self-indulgent: Absolutely. Way too much dialogue in places because I love dialogue and find it easier to write. Whiny: The emotional core of the story is coming along, but the characters might be a little too introspective in spots, and that can (and does) sound a little whiny. Mewling: See, whiny. Now, I ‘m also doing the rest of the things in the quote. I’m getting it all down, letting the writing just fall onto the page unfiltered and raw, and making careful note of the excesses so I can address them in the next draft(s). I think the point is that’s it’s okay to have a shitty, self-indulgent, whiny, mewling first draft. It’s okay to be honest about the imperfection of that initial attempt, cognizant of its flaws, and resolute about making it better.
I made progress on Hell to Play, but last week was not my most productive. I managed just under 4,100 words for a manuscript total of around 55,000. Even though my production was a little lacking, I did write a pivotal scene that breaks us into the third act. It’s a huge moment in the book, and I’m actually pretty happy with how it came out. I’m starting to get that “downhill” feeling as I move into the third act and the characters move (or are maybe shoved) toward the climax. My goal is to be done in the next four weeks with a first draft that should be in the 90,000-word range.
Not a great week for submission (with one shining exception).
Yep, I didn’t send a single submission. I mean, what the fuck was I even doing last week, right? I did get one form rejection, but what made last week not a total loss was an acceptance from Dark Matter Magazine for my sci-fi thriller story “The Past, History.” The Dark Matter acceptance is my 9th of the year, which keep me on pace for somewhere in the neighborhood of 20 acceptances for 2020. What’s even better is six of the nine acceptances were paid at pro rates. That’s a much better ratio than I’ve managed in years prior.
This is a new feature on the Week of Writing posts, but I figure it’s maybe more useful to folks than more of my microfiction. 🙂
This week, I want to highlight NIGHTLIGHT, a fantastic audio podcast featuring horror written by Black authors and performed by Black actors.
Here are some of the highlights from their submission guidelines.
Also, please consider supporting NIGHTLIGHT through their Patreon account and help them with their goal of uplifting Black creators.
The usual broken-record statement here. Keep working on the novel–I’d like to get 10,000 words this week–and send out more submissions. I need to send out at least five more subs in June to stay on track for 100 submissions for the year.
That was my writing week. How was yours?
From first submission to glorious acceptance, how long, on average, does it take to sell a short story? The answer, of course, is dependent on a lot of factors, not the least of which is the author submitting the story. Since the only author I have hard data on is, uh, this one, let’s take a look at my submission records and see how long it takes me to sell a story.
Below are two tables with ten stories each. The first ten are short stories I’ve sold, which are generally 3,000 words or more. The second table are flash fiction stories I’ve sold, which are always under 1,000 words (mine tend to be right at that limit). A quick explanation of the table. The data points are when the story was first subbed, when it was accepted, and then how many days it spent under consideration with the various publishers I sent it to. Okay, let’s look at short stories first.
|Short Story||First Subbed||Accepted||Days Subbed|
|A Point of Honor||12/17/2017||11/20/2018||264|
|The Past, History||8/28/2018||6/10/2020||261|
|Reading the Room||6/6/2019||3/4/2020||146|
As you can see, it takes me a while to sell a short story, an average of 303 submission days. Note the actual days differ from the submission days because I may not submit a story for a bit while I revise it, lick my wounds, weep in despair, etc. All the stories above received at least five rejections before acceptance, and four of them hit double digits. That said, every one of these stories eventually sold at semi-pro or pro rates rates in its initial acceptance or as a reprint. “Paper Cut” has the most rejections before an acceptance at 16, but “Bites” took me a lot longer to sell because it was shortlisted twice and held over six months both times, then rejected.
A few of these stories represent how a revision can make all the difference. Take “Paint Eater,” for example. I submitted it pretty steadily in the first year and it racked up eight rejections in that time. Then, I got some good feedback and let it set for another year and half before making a lengthy revision. I sold it on the first try after the revision.
Okay now let’s look at flash fiction and see how I do there.
|Flash Story||First Subbed||Accepted||Days Subbed|
|A Small Evil||5/19/2017||9/30/2019||343|
|What Kind of Hero||11/19/2017||7/13/2018||171|
|When the Lights Go On||12/6/2017||9/29/2018||294|
|Do Me a Favor||6/8/2018||7/6/2018||28|
|Far Shores and Ancient Graves||6/24/2018||8/29/2018||55|
|Time Waits for One Man||8/23/2018||4/19/2020||90|
|His Favorite Tune||3/24/2020||5/12/2020||28|
As you can see, I sell flash fiction quicker than short stories, and all but two of these sold for semi-pro or professional rates. The average number of days these stories spent under consideration is 118 days. Now, that comes with a caveat. I initially tried selling “Small Evil” as a 2,000-word short story. It racked up eight rejections at that length. Then, for a contest, I cut it down to flash length and sold it on the first try in eleven days. So, if we only look at my attempts to sell “Small Evil” as flash, my average drops down to 85 days.
“When the Lights Go On” is a bit of an anomaly because I subbed it to a lot of pro markets that generally publish short stories and only a small amount of flash. I actually think it’s one of the best flash pieces I’ve written, and one of the reasons it took so long to sell is that, like “Bites,” it was shortlisted and held twice and held over five months before receiving a rejection.
So, why the disparity between how long it takes me to sell short stories versus flash fiction? Well, I have some rejecotmantic theories. 🙂
In conclusion, selling a story isn’t generally a fast process, and for me, selling a short story is downright snail-paced. I’m fine with that, but as I continue to write, submit, and develop my craft, I hope to sell short stories before they rack of ten-plus rejections and two years in submission. 🙂
Thoughts on how long it takes to sell a story? Tell me about it in the comments.
This post covers a couple of weeks of writing endeavors. Here’s how I did.
Instead of the usual quote I put here, I figured I’d talk about the obvious. You certainly noticed the new logo and new look for the site. I’ve been wanting to change things up for a while, so I started working with a graphic designer (Erik Nowak, an old friend and colleague of mine) and, well, this is the result. Okay, so why the change? Two reasons:
I had a productive couple of weeks with Hell to Play, and I added over 16,000 words to the first draft. That puts my over the 50,000-word mark and past the halfway mark (I expect the first draft to be in the 90,000-word range). If I continue at this pace, I should have a first draft in a month and change. I like where the book is going, and I have a clear path through the second and third acts. As I write, the things I’m noting that need to be addressed in subsequent drafts are little but very important details of my world and its mythology, character motivations, and working character backstory into the novel in an organic and believable way. You know, easy stuff! 😉 I’m averaging about 8,000 words per week. My usual pace is 10,000, but that’s just not how it’s working out right now for a lot of reasons, and I’m okay with that.
Two decent weeks on the submission front.
I sent two subs per week over the last two weeks, which gives me 44 for the year. I’ll need to send out another 5 o 6 submissions in June to keep pace for 100, but I don’t think that’ll be difficult. The rejections were mostly form rejection, though two were higher-tier. The acceptance is from The Arcanist. I sold my story “Outdoor Space” to them, which will be published next month. That gives me 8 acceptances for the year. A good pace, and hopefully one I can continue.
Trying to get back on the ol. microfiction train, and I did write some last week. Here they are. The micro from June 2nd is probably the best of the three, but I got a giggle out of June 1st, mostly because I’ve been looking at a lot of property listings lately.
For sale: Seaside cottage near Innsmouth, MA. Enjoy panoramic views of newly risen R’lyeh from your living room. Open the windows for the ocean breeze and the croaking supplication of the master’s spawn. Leave your sanity behind at this #littoral getaway! Cthulhu Fhtagn!
Mrs. Hubbard grew #hydrangeas and gave them as gifts. White flowers for weddings, blue for birthdays, yellow for funerals. She gave red ones too, but not often. Pete Dawson got red ones after his wife, Beth, went to the hospital. Again. She got yellow ones a week later.
Dan was a mean son of a bitch, but he had to get good and drunk to fight. He called six slugs of cheap whiskey his #potvalor, whatever that means. All I know is once he had a belly full of rotgut his Colt Navies filled enough pine boxes to make the undertaker a rich man.
Keep chugging away on the novel at the same pace. Also, as always, send more submissions, and maybe finish a new story to facilitate the more submissions.
That was my writing week(s). How was/were yours?
Another month of submissions. Here’s a breakdown of my short story endeavors for May.
April 2020 Report Card
Very good month. Eleven submissions in May gives me forty-three for the year and puts me back on track for my goal of one-hundred. Only four rejections, all form rejections. Two more acceptances, both flash, and both to pro-paying markets. I’ll talk about the two publications below.
Four rejections this month.
Not much to report here. All the rejections were form letters, though three of them were upper-tier. The shortest took only seven days, the longest 135 days.
Two acceptances this month. I sold my flash fiction story “His Favorite Tune” to the Flame Tree Fiction newsletter, which is my third publication with Flame Tree, the first in the newsletter. I also sold my flash fiction story “Outdoor Space” to The Arcanist. Not counting contests, this is my fifth sale to The Arcanist.
The first publication is my noirish supernatural crime short story “Reading the Room,” which was published at The Overcast, an audio market hosted by J. S. Arquin. You can listen to the story by clicking the link below.
The second publication is my flash story “His Favorite Tune,” which was published in the Flame Tree Fiction newsletter. For now you have to be a subscriber to read the story, but they’ll post it on the main website soon, and I’ll be sure to point folks in that direction.
And that was May. Tell me about your month.
One more week has come and gone. Here’s how I did.
Today’s quote is from Jodi Picoult.
“You can always edit a bad page. You can’t edit a blank page”
– Jodi Picoult
This, this right here, is what keeps me writing the first draft even though every fiber of my being screams THIS IS TERRIBLE. Because, like Jodi Picoult says, I can always edit a bad page. I can fix it in post. This is the only way I can write. If I try to make the first draft perfect–an impossible task anyway–I’ll never get anything done. I’ll be stuck in a kind perfectionist paralysis inimical to the creation of a first draft. So I chant to myself as I write: I can edit, I can fix it in post, I can make it better. JUST GET IT DOWN. That’s worked so far.
Armed with a revised outline I got back on track with the Hell to Play last week. I wrote about 6,100 words total, and the manuscript now clocks in at nearly 35,000 words. I even like some of those words. I’m in the beginning of act two, and the last couple of chapters have been very dialogue heavy and maybe a tad too expositional. The dialogue, and especially the interplay between the two POV characters is kind of the heart of the book, but I may have gone overboard, as I am wont to do with dialogue. Still, that’s a second draft problem, and the stage is set this week to get into the meat of plot. I’m shooting, as always, for 10,000 words, but I’m letting this one breathe a bit (as hard as that may be), so if it’s 6,000 or 8,000 words and some reorganization and editing and whatnot, I’m a-okay with that.
Another good week on the submission front.
Three more subs last week brings me to 41 for the year and pretty much back on track for my goal of 100. I’ll probably add one or two more subs this week to really seal that particular deal. No acceptances this week, though I did get one yesterday, but I can’t talk about that until next week. The one rejection was a 135-day form letter, which are always a bit of a bummer, but such is the gig. The publication is a good one, and I’ll discuss that below.
I did write some vss365 microfiction last week. Exactly one. 🙂 Here it is.
For years we marveled at the planet’s rings from afar, a beautiful #silver halo around our future home. When the last remnants of humanity made it to the ringed planet, they found not ice or rock, but a graveyard of derelict ships encircling a dead but still hungry world.
Earlier this year, I sold a story to The Overcast, a supernatural noirish gangster piece called “Reading the Room.” If you’re unfamiliar with The Overcast, they’re a great audio market, and host and narrator J. S. Arquin does a simply stupendous job with the voices and narration. Anyway, click the link below if you’d like to listen to “Reading the Room”. If you stick around after the story is over, you get to hear me read a halting afterword about Texas Hold ‘Em poker and my writing process and stuff. 🙂
Back on track with the novel, I’m aiming for more solid progress this week. Like I said above, something around 8,000 to 10,000 words would be great. I’d like to get a few more subs out this week as well. All that seems doable. 🙂
That was my week. How was yours?
These days it’s not uncommon for writers to use a prompt of some kind to get the ol’ creative juices flowing. It’s often part of a writing exercise, but sometimes it’s an element of a writing contest or even a short story submission. But are writing prompts useful to authors, especially authors looking to produce publishable stories? Let’s talk about that.
Before we get started, I’m gonna go ahead and state my bias up front. Some forty of my published stories began life as part of a prompted exercise, so I definitely find them useful, and this post will largely focus on why they are useful to me. That said, there’s some nuance to my love of prompts, and I have reservations about some of them.
First, let’s define what a writing prompt is. In my experience, they fall under the following broad categories.
Category one is certainly the easiest to write, and, again, you could argue calling it a prompt is a stretch. Still, I find simply setting my brain to write on a certain theme is helpful. My experience with this kind of writing prompt is mostly in flash fiction contests from publishers like The Arcanist and The Molotov Cocktail. I’ve done well in those, and even if a story didn’t place, I’ve often been able to sell it elsewhere. You also see prompts like this in themed anthologies.
Category two prompts are my favorite. For many years, I’ve been part of a one-hour flash fiction writing contest/exercise that uses inspirational prompts. These exercises have produced the bulk of my published works. Some have remained at flash length, while others I developed into full-fledged short stories (and, currently, a novel). I’m not sure why this type of prompt works so well for me. It might be because I tend to cleave to fairly traditional tropes when left to my own devices. A prompt and a time limit forces me to write outside my comfort zone, which has led me to some fairly original ideas (or at least twists on old ideas) and a bunch of publishable stories. Like category one, it’s not uncommon to see inspirational prompts in a themed anthology with a slightly narrower focus.
Category three prompts are the hardest to write in my opinion. Sometimes that’s by design as a way to add difficulty. For example, in the NYCM flash fiction contest you’re assigned a location, an item, and a genre. The location and item MUST appear in the story. If you get a real oddball combination it can make writing incredibly challenging, which I guess is kind of the point, but the story can come out feeling a little contrived. For the most part, I find these prompts to be somewhat stifling.
For me, the first two categories of prompts, especially category two, inspire me to write outside my comfort zone. I believe they help me produce stories I might not have on my own. You might call that a crutch, but I’m fine with that because I end up with publishable work (or work with the potential for publication). Category three prompts are less useful to my goal of writing sellable stories. When the prompts is very specific, I find the story is a tough sell to readers who lack the context of the prompts and contest. Of course that’s only how my stories turn out. I know folks who regularly compete in NYCM and go on to sell those stories, sometimes to pro markets.
So, are writing prompts helpful to authors? I’m gonna hedge and say they’re useful to some authors. This author, for example. But there’s another side to this, and I know authors who find writing prompts to be a huge limiting factor on their creativity. Instead of taking them by the hand and leading them to a new and exciting story idea, the prompt acts like a big ‘ol wall of writer’s block. That sure as shit ain’t helpful, and if that were my experience with prompts, I’d avoid them completely.
To sum up, and to hedge yet again, writing prompts are both stirring and stifling, depending on the type of prompt, the author, and the context. If you haven’t used them before, I’d urge you to give them a try. They might just shake loose something new and exciting. 🙂
What are your thoughts on writing prompts? Do you use them? Tell me about it in the comments.
Another week of writing in the books. Here’s how it all went down.
Today’s quote comes from Douglas Adams.
I may not have gone where I intended to go, but I think I have ended up where I needed to be.
– Douglas Adams
Last week, I stopped writing the first draft of Hell to Play and instead revised my outline. Douglas Adams’ quote kind of sums up why. I realized, as I was writing the first draft, and especially after I ended act one, that the novel I was writing was NOT the novel in my outline. I knew there was a subplot I needed to add, but I wasn’t sure how to get there. As a dedicated plotter, I sat down and figured out how the new story would go. I think (and hope) I have ended up where I needed to be.
Well, I didn’t add a single word to the manuscript for Hell to Play last week. What I did do, however, was completely revise acts two and three of my outline. Revise might be understating. I rewrote the outline completely, adding in an entirely new subplot I think strengthens the conflict in the novel and provides key insight into the background and motivations of the principle characters. If we are keeping count of words, that two-thirds of an outline amounted to just over 6,000 words, so, you know, I was pretty busy. 🙂
Pretty good week on the submission front.
Three submissions is solid, and that’s really the pace I’d like to set every week. I’m up to 38 for the year, and I’ll need another 6 or 7 before the end of May to stay on track for 100 subs. The rejections were from a writing contest, and I’d hoped one of the entries would place. I got close with one of them, but no dice. The acceptance is a good one (I mean, they’re all good), and I managed to place a story with the Flame Tree Fiction Newsletter. That’s my third sale to Flame Tree, and I’m very pleased to have a piece appear in their newsletter. The story will be posted on their website at some point, and I’ll be sure to point you in that direction when it’s free to read.
Normally I would post some of the microfiction I wrote as part of vss365. Thing is, I didn’t write any. 🙂 I’ll get back on the beam this week, though. In the meantime, here are three microfiction pieces I place with 50-Word Stories over the past year or so.
With a revised outline, I aim to start adding words to the manuscript for Hell to Play this week. I’m trying not to focus so much on how quickly I’m writing the first draft, which is tough for me, but I think it will result in a better book. As always, I need to get those story submission out. Shooting for three more submissions by the end of the week.
That was my week. How was yours?
A day late on this past week of writing, but here’s how I did.
Today’s quote comes from Kurt Vonnegut.
“We have to continually be jumping off cliffs and developing our wings on the way down.”
— Kurt Vonnegut
I have stepped off the cliff and now I’m furiously flapping my arms hoping those wings will sprout. There are a few feathers here and there, but we have not yet achieved flight. I’ve stalled a bit on the first draft of Hell to Play, and a desperate sense of falling has set in. The stall is for a very good reason–making the book better–but that feeling of plummeting to my doom remains. Like always, I’ll write through it, but Kurt Vonnegut’s quote resonates right about now.
I worked on Hell to Play last week, but I hesitate to call it progress. I wrote 5,200 words for a total of 28,500 on the manuscript. What happened this week is I realized I have a strong first act (which I’ve already completed), a strong third act, but my second act, which I’ve just begun is, well, weak as shit. All is not lost, though. While I was floundering and grappling with what to do, THE SOLUTION became clear. That should be good news because my second act is more or less saved, the book improved, and so on. The problem is, I’m a dedicated plotter, so I can’t just write the new angle in. I have to go back and revise my outline and make sure everything fits before I start writing again. This kind of thing generally awakens the ol ‘ impostor syndrome, which equates stopping writing (for any reason) with failure. That’s nonsense, of course. I’m still working on the book, and the outline is a crucial part of writing for me. So, this week, I’m going to grit my teeth, rework my outline, so when I do start writing again (probably by the end of the week), I’ll be able to push forward with more confidence.
Two subs for the week and not much else.
Well, two subs is better than last week’s one sub, right? No other activity, though I expect to hear back on at least four of the eight stories I have pending this week. I’m sitting at thirty-five submissions total, which is an average of seven per month. I need to get that average up to nine to stay on track for 100 subs for the year. That means ten more submissions in the next few weeks. 🙂
Here are two of the better microfiction pieces from my #vss365 work last week. As always, if you want to read my microfiction in real time, follow me on Twitter @Aeryn_Rudel.
The planet was thickly forested but dry save for #rainwater. Eventually we drank, ignoring the tiny wriggling things in each swallow. One by one we grew and took root. Now the few who remain wander still groves, mad with thirst, trying not to hear the voices on the wind.
“Damn, Sal,” Lucky said. “You shot him #nine fucking times.”
“Um, I thought he had a vest.” Sal said.
“But you shot him in the balls. Twice.”
“I thought he had a VEST, Lucky.”
“Uh huh. Guess he shouldn’ta called you a bad shot on Twitter.”
Sal smirked. “Guess not.”
This week, the big goal is to revise the outline for Hell to Play, which equates to roughly twenty short chapter outlines. The other goal is to send more submissions, as always. I smell rejections on the wind, so I should have plenty of stories to submit. 🙂
That was my week. How was yours?