Although most of my recent submission efforts have been focused on querying my novel, I have sent out the occasional short story submission. Admittedly, I haven’t written much new material over 1,000 words in a while, so I’ve been grinding away at the stories I haven’t managed to sell yet. In today’s post, I want to discuss three of those stories, which have, by far, accumulated the most submissions and rejections. Is it time to give up on these three? Let’s discuss.
First, let me give you the submission numbers on these pieces. I won’t be mentioning the titles since two of the stories are currently out on submission. I’ll just call them A, B, and C.
Submissions | Pending | Shortlists | |
Story A | 19 | 2 | 3 |
Story B | 15 | 2 | 3 |
Story C | 13 | 0 | 0 |
Okay, now it’s time for some high-level rejectomancy to see if I can figure out why I’m struggling to sell these stories. What follows is pure speculation on my part, so don’t take it too seriously. 🙂
*puts on High Rejectomancer hat*
Story A: If I had to pick the best of the bunch, I’d say it’s this one. It’s straight-up sci-fi, which tends to have a slightly broader appeal (there are certainly more markets for it), and, if I may be so bold, I think it’s one of the better examples of my writing. It’s been shortlisted by three high-profile pro markets, and the feedback has been very positive. This is where you ask, if it’s so good, why haven’t you sold it? Good question, and I can only speculate. First, it’s about time travel, and though I think I have a unique spin, it’s still an overused trope that you often see in do-not-send lists. Two, it’s an epistolary, which is a format not to everyone’s taste. If I had to guess, it’s more the time travel bit that’s hurting me than the format. I’m not ready to give up on this one, though I am running out of places to send it. That said, I feel like I’ve got a decent shot with the two markets it’s currently on submission with, one of which has published a couple of my hard-to-place stories before.
Story B: Like Story A, this one has gotten close to publication at some very good pro markets, but hasn’t crossed the finish line. Unlike Story A, which received a fair amount of feedback, some of which I actually used, Story B has collected a whole bunch of generic not the right fits and we’re going to passes, even on its shortlist rejections. So what’s the problem with this one? Again, I can only speculate, but this story is similar to a number of my hard-to-place stories in that it doesn’t fit neatly into one genre. It has elements of sci-fi and horror, but it would be a stretch to call it either or to call it a true hybrid. It’s simply speculative. I tend to write those stories a lot, and I tend to have a hell of a time selling them. I almost always do sell them, but it’s often to a market that is specifically looking for, well, unspecific speculative stories. Anyway, I think I will sell this one. It has a unique premise and the fact that it has gotten so close to publication before tells me the piece has some merit. It, too, is currently subbed to two markets, so fingers crossed.
Story C: As you can tell, I’ve had ZERO luck with this story. It’s received nothing but form rejections and well, I think that says a lot after thirteen submission. So, what’s the problem here? Speculation time, but I think this story faces a number of challenges. First, it’s set during the height of the Covid pandemic, and while it’s not putting forth any kind of agenda on that topic, it does feel like publishers are somewhat leery of the subject. Second, it contains one of the big three. Those three being the monsters most often seen on do not send lists: vampires, zombies, and werewolves. In this case it’s vampires, and, well, if you want to submit a story on hard mode, just stick a vampire in it. Lastly, the story is kind of a bummer, and while stories that end on a very dark note aren’t unsellable, I do think when you layer touch sell after tough sell on a story, you’re definitely facing an uphill battle. If I want to have a better chance with this one, I think a heavy revision is in order that removes one or maybe two of the tough sell elements. So, for the moment, this one is a trunk story.
Of course, I have engaged in ridiculous amounts of rejectomancy in this post, and while I have enough experience to make some educated guesses about why I’m struggling to sell these pieces, my speculation could be completely off base. This is one of the reasons I keep submitting a story even after double-digit rejections. An acceptance still comes down to putting the right story in front of the right editor at the right time, and I’ve sold plenty of stories with the tough-sell elements I mentioned above. This is not to say that if you are truly getting nowhere with a piece, you shouldn’t reassess (like I’ve done with Story C), but make sure you’re giving the story a fair shake before you do.
Thoughts on the rampant rejectomancy in this post? Tell me about it in the comments.
October was another busy month, and I sent a fair number of queries and submissions. That said, queries are winding down as I wait for replies to those still outstanding. Anyway, here’s how I did in the tenth month of the year of our lord 2023.
Five submission is the most I’ve sent in a single month in 2023, which is kinda sad. In years past, that would be a very slow month. I’ve managed a paltry 32 submissions this year and only three acceptances. I’d like to hit 50 submissions in 2023, but I’d need to send 9 subs in November and December. We’ll see if I can pull it off.
Nine more queries in October, which brings my total up to fifty. At this point, I’m content to wait for the queries I have outstanding to resolve before I send any more. That said, if an agent who seems a particularly good fit opens to queries in the near future, I’ll definitely fire one off. The rejections and CNRs have been rolling in, and October saw record highs in both. I expect November to also be a month of rejections and CNRs.
I’m still waiting on responses for the three full manuscript requests I received in July and August, and I’ll send status queries on two of them in the next few weeks. The third agent asked for three to six months to review a manuscript, so I think it pays to be patient there.
I admit I’m a little worried about the fact that I received three manuscript requests in short order when I started querying, and I’ve gotten nothing but rejections and crickets since. It might be that just through sheer blind luck I queried the three agents most likely to be interested in my book from the get-go. Hard to say, but best not to read too much into it.
And that was October. My goals for November primarily to send more short story submissions. I’m also working on another novel I’d like to have ready to go if/when SECOND DAWN doesn’t pan out.
How was your month of querying/submitting/writing?
Another three weeks of querying gone by, so it’s time for a another response round-up. After a few weeks of crickets, the responses have started coming in more regularly. All rejections, but what are ya gonna do? Anyway, there are a couple of interesting rejections I thought I’d share. Let’s jump in.
First, here’s my overall query stats as of today.
I received six more rejections since I last posted one of these updates, and I want share two with you, mostly to illustrate how different agents handle form rejections.
Rejection #1 – 9/19/23
Thank you for thinking of me for SECOND DAWN. Unfortunately your project does not sound like a fit for me at this time, and so I will have to pass. Best of luck with your future queries, and I hope you’ll soon find the perfect advocate for your work.
This is a very standard form rejection. One paragraph, a simple no, well wishes, and out. Of the seventeen rejections I’ve received thus far, most look like this. But let’s look at the other end of the spectrum for form rejections.
Rejection #2 – 10/5/23
Thank you so much for your query. I appreciate the opportunity to consider your work, but unfortunately, after careful consideration, I have decided to bow out. I am truly sorry not to be able to offer you representation, and I wish you the very best of publishing luck as you move forward.
At [agency], we understand that writing is a passion, an intensely personal calling, a long-time dream for many, and frequently a lonely endeavor. We have great respect for authors, and we share the writer’s passion—that is why we are literary agents.
Unfortunately, publishing is a business that necessarily involves a lot of rejection, at every stage. One of the most difficult things for us as agents is to have to say no. Yet, we can take on only a small fraction of all the work we see, and this is simply a business reality.
We say no for many reasons—because of changing trends in the market; because we already have something similar on our list; because we know of similar published or forthcoming titles; because something isn’t right for us; because although something may be strong, well-written and even publishable, we didn’t fall in love with it.
Please do try to keep this one “no” in perspective. This is a highly subjective business and another agent may adore your work. All it takes is one “Yes.” We wish you success in finding that “Yes,” whether with us or another agent and publisher.
Thank you for thinking of us and giving us this opportunity to consider your work.
Vive la difference, huh? There is a lot of info in this form rejection (and I am fairly certain this is form rejection), and my initial reaction to that information was “I don’t need all this.” Then I thought about it, and, yeah, as a fairly seasoned pro, maybe I don’t need it, but there are folks who might. There are folks who are just beginning their publishing journey, and the information and words of encouragement in this rejection could go a long way. I mean, if you haven’t been submitting fiction for that last decade-plus, then you might not know that rejection is just part of the gig and a no doesn’t mean you’re a bad writer. You might need to hear that, even in a form letter. So, kudos to this agent for their kind, informative rejection letter. I apologize that my crusty, jaded ass didn’t see its benefits right away. 🙂
The other four form rejections I received were very much like the first one I posted here, so no need to share those.
I still have three full manuscript requests pending, but they’re getting a little long in the tooth. According to the stats on QueryTracker, that’s pretty normal for one of the agents, but I might have to chalk up at least one of the subs as a CNR. Bleh.
Thoughts or questions about queries or these responses? Tell me about it in the comments.
September was another busy month, as I fired off more agent queries for my novel SECOND DAWN. I even, somehow, managed to find time to send a few short story submissions. (I know!). It was a productive month, but not necessarily a fruitful one. That’s just how it goes in the query/submission trenches. Anyway, here’s how I did.
Still not exactly lighting the world on fire with my short story output, but, hey, three subs is three times as many as I sent last month. 🙂 I have actually written a bunch of new stories; I just haven’t done anything with them yet. That’ll change this month. I’d like to send out at least half a dozen subs if possible.
I only sent ten queries last month because, well, I’m running out of agents to query. There simply aren’t as many agents that rep horror as say sci-fi or mystery/thriller, so I find myself checking QueryTracker’s New & Updated Agent list everyday to see if any potential agents have opened to queries. The five rejections last month were run-of-the-mill form rejections with no feedback, and the withdrawal was just a brain fart on my part. I queried an agent at an agency where I already had a query pending with another agent at that same agency. That’s a no-no, so I withdrew the query with a polite and very apologetic note.
In other query news, I’m still waiting on responses for the three full manuscript requests I received in July and August. I fear at least one of those is going to be a CNR, but that’s just the reality of querying.
Anyway, if you’d like to follow my querying journey and get my thoughts and insights on the process, I’ve been documenting the whole mess on the blog. Links to those posts below:
And that was September. My goals for this month are more agent queries and a lot more short story submissions. I’ve already got a jump on the queries, so it’s time to get busy on the submissions. I’d also LOVE to report another full manuscript request or, dream of dreams, and offer of representation in October. I wouldn’t hold your breath on that last thing, though. 🙂
How was your month of querying/submitting/writing?
It’s been another twenty days or so of sending queries and waiting for responses. Things have slowed down a bit–I’m kinda running out of agents to query–but let’s take a look and see how the last three weeks have panned out.
First, here’s my overall query stats as of today.
As I said earlier, I’m running out of agents to query. There are some good reasons for this, and those reasons are almost worthy of blog posts of their own, but let me give you a quick rundown.
As you can see above, there’s a pretty good reason I’ve only queried 34 agents out of that 93. I do keep an eye on QT’s New & Updated Agents list to see if any agents have recently opened to queries or if a promising new agents has opened up shop.
I received two more rejections since last I posted one of these updates. Let’s take a look at them.
Rejection #1 – 9/9/23
This is not right for me, but thank you for the look.
They don’t get much shorter and more-to-the-point than that. I honestly have no problems with rejections like this. Boilerplate platitudes are nice, but I don’t really need them, and a simple no is perfectly fine in my book. This agents only asked for a query letter via email and responded in four days.
Rejection #2 – 9/12/23
I’m sorry, but your project does not sound like a fit for me at this time, and so I will have to pass. Thank you for considering me and best of luck with your future queries.
This is a typical form rejection, and it took 36 days to arrive. Other than that, there’s not much to talk about. Here’s what the agent wanted in the query package.
That’s a pretty complete query package, and though it’s a small sample size, I’ve done better with agents that ask for more materials rather then less. Not this time, though.
I did CNR two more queries, but other than that, the two rejections I covered above are all the activity I’ve seen in the last three weeks. I’m hoping I’ll hear back on one of the full manuscript requests soon, but it could still be a while. Of course, I’ll let you all know as soon as the blessed news/crushing rejection arrives. 🙂
Thoughts or questions about queries or these responses? Tell me about it in the comments.
August was a busy month in submission land. Most of my time was spent sharpening up my query package and sending queries for my novel SECOND DAWN. I won’t lie; short story submissions have fallen by the wayside of late. Anyway, let’s have a look.
Exciting, huh? One submission and no responses. I’ve sent a grand total of 25 short story submissions this year, and it’d be nice to hit 50. I’ll need to catch the short story bug again to do that, but it’s still possible.
Clearly, this is where I’ve been spending the bulk of my submission time. I sent 20 queries last month, received 7 rejections, and managed to score another two full manuscript requests, for a total of three. All my FMRs are still pending, so whether it’s to be heartbreak or jubilation has yet to be determined. I’ve been very transparent with my query process, and if you’d like to follow my progress in more detail, check out the posts below.
Anyway, that was August. I really feel like I hit my stride with queries last month, and my query package, I think, is pretty strong and has all the pieces I need to query to any agent at any time. Still, this is all new to me, so it’s definitely a learn as you go kind of thing.
How was your month?
Back in 2017, I got this bonkers idea to blog the entire process of writing and publishing my second novel from Privateer Press (with their blessing, of course). I ended up with 21 weekly updates plus a handful of other posts related to the novel, like excerpts, dramatis personae, and so on. Why did I do this ? Let’s talk about it.
First, a little background on the book. Aftershock is the second in a trilogy of novels I wrote for Privateer Press in their Iron Kingdoms setting, which is the setting for their tabletop miniature games WARMACHINE and HORDES and the Iron Kingdoms Roleplaying Game. The Iron Kingdoms is steampunk-esque in terms of technology, but the setting is more sci-fantasy than steampunk. The novels revolve around a war between two of the great nations of the Iron Kingdoms, Khador and Cygnar–think 18th-century Russia and England with clockwork and occult elements–and the war leaders of these respective countries. Click the cover below for more info.
So, why did I decide to add to my already insane workload of writing this novel by live-blogging the whole damn thing? For one, I thought it would be good marketing, and the run of updates for the book did bring in the highest blog traffic I’ve seen before or since. Also, it was, for lack of a better word, fun. I enjoyed the meta breakdowns after each week of writing, and it was definitely cool to see the enthusiasm the posts generated among the Privateer fanbase as I teased new characters and models or showcased a favorite model in a battle scene. Finally, I thought it would be cool to have a detailed record written in real time of what it looks like to write a novel, how long it takes, the challenges, and how writing a media tie-in novel differs from working on your own IP. I think it ticks all those boxes.
So what was in these updates? I came up with four elements I thought would interest folks who wanted to learn about my process and/or just wanted teasers for the book.
Anyway, if you’d like to take a spin through my novel-writing experiment, here’s a link to all 21 of the weekly updates.