A Week of Writing: 9/10/18 to 9/16/18

A day late and a dollar short, as they say, but here’s my writing week that was.

Words to Write By

This week’s quote is from Jack London.

“You can’t wait for inspiration. You have to go after it with a club.”

– Jack London

I really dig this quote. What it says to me is I can’t sit idle until I feel like writing. I have to get on with it. I have to hit my word count or work on those revisions, even when writing is the last thing I want to do. This is especially true when I have a deadline, and editors are waiting on an outline, or a draft, or revisions. This is not to say I always hit my word count or that I write every single day of my life, but I do it enough to finish the draft in a reasonable amount of time, hit the deadline, and keep the ol’ assembly line moving.

Note, this “write no matter what” attitude doesn’t work for everyone, and I’m not selling it as the one true way, but it does works for me.

The Novel

I’ve started the second round of revisions on Late Risers. Last week that consisted of reading through all the notes from my critique partners, creating a plan of attack, and addressing some minor issues throughout the novel as a way to reacquaint myself with the story. This week I’ll write some new chapters in the beginning of the book that better establish the rules of my world and a few important character relationships. I’ll also trim roughly the same amount of words from the exiting first act, which dragged on a bit.

Short Stories

Since my focus was primarily on the novel (and some out-of-town guests), I didn’t do much of anything with short stories. In fact, I didn’t do squat.

  • Submissions Sent: 0
  • Rejections: 0
  • Acceptances: 1
  • Publications: 1
  • Shortlist: 0

I did get an acceptance last week (my 15th of the year) and one of my earlier acceptances was published. So, you know, not a terrible week on the ol’ submission front.

The Blog

I also lagged behind on blogging, and I only managed a single blog post.

9/10/18: A Week of Writing: 9/3/18 to 9/9/18

The usual weekly writing update.

Goals

Same as last week, the major goal is work on the revisions for Late Risers. Secondary to that goal is submit more short stories and get back on track with the blog.

Story Spotlight

This week’s story spotlight is “What Kind of Hero?” published last week by EllipsisZine. You can check it out by clicking the link or picture below.

“What Kind of Hero?”


That was my week. How was yours?

A Week of Writing: 9/3/18 to 9/9/18

It’s Monday, and I’m back on track with weekly, writerly updates.

Words to Write By

Today’s quotes comes from one of my favorite fantasy authors, Robin Hobb.

The challenge is always to find the good place to end the book. The rule I follow with myself is that every book should end where the next book would logically begin. I know that some readers wish that literally all of the threads would be neatly tied off and snipped, but life just doesn’t work that way.

– Robin Hobb

I wholeheartedly agree with Robin Hobb here. To me, there’s something really artificial about an ending that ties everything up neatly, and it always leaves me unsatisfied. Like she says, life doesn’t work that way. I think life is largely a collection of loose threads we spend, well, a lifetime trying to resolve. Although fiction doesn’t have to reflect how the real world works, this is an area where I try to cleave as close to reality as I can. The ending of Late Risers is messy, the resolution of some plot points uncertain, and I’m fine with that. Some of this has to do with my hope there will be a another book, but, even if there is only this one, I think Late Risers works as a standalone novel. (I really just hope it works as a novel, period.)

The Novel

My critique partners have finished my novel Late Risers, and I have their notes. The good news is a lot of the problems are ones I suspected were there, and my critique partners are in agreement on the major issues. That makes my job a lot easier, since we’re all basically on the same page with what is wrong with the book. The other good news is they liked the draft, the story, the concept, and the writing. Yes, there’s work to do on all of those elements, but after getting the notes, I think the first draft went about as well as I could have hoped.

This week I’m going to dive in and start my second round of revisions. I’ll still focus on fixing big-picture problems first, then worry about tightening the prose after that.

Short Stories

Not a whole lot to report on this front. I did get one story back that has had a number of near misses, and I promptly sent it out again. I tinkered with some old stories, and even unearthed an ancient short story from a backup hard drive that has a great concept with some, uh, archaic writing. That’ll be my next short story project. I currently have nine submissions pending with various publishers.

A very slow week for submissions.

  • Submissions Sent: 1
  • Rejections: 2
  • Acceptances: 0
  • Publications: 0
  • Shortlist: 0

I have 89 submissions for the year, and I’m still on a very comfortable pace to hit my goal of 100.

The Blog

Here are the blog posts from the last couple of weeks.

8/27/18: A Week of Writing: 8/20/18 to 8/26/18

The usual weekly writing update.

8/31/18: Submission Protocol: Summary Execution

Another entry in the submission protocol series. In this one I discuss summarizing your short story when a publisher asks for a synopsis.

9/4/18: Submission Statement: July & August 2018

I missed the July submission statement, so this is two months of my submission endeavors.

9/7/18: Iron Kingdoms Fiction – Peace of Mind

Another Iron Kingdoms story originally published in the pages of No Quarter magazine.

Goals

One major goal for the week: start the second round of revisions on Late Risers. Everything else will take a backseat until that’s finished.

Submission Spotlight

This week I’d like to point you at a brand new pro-paying (.06/word) speculative fiction market called Constellary Tales. Here’s what they’re looking for:

We love SF stories that carry characters from their beginning to their end. That take the reader along on the journey of discovery (or loss, or redemption, or whatever). And of course, they have to be speculative. The name “Constellary” betrays our love for science fiction, but we’re fans of fantasy too.

Note, they’re closed to submissions from September 11th through September 30th–no doubt to sort through the tons of submissions they’ve already received–but they will reopen to submissions on October 1st. Guidelines in the link below.

Constellary Tales Guidelines


 

That was my week. How was yours?

Iron Kingdoms Fiction – Peace of Mind

Got another piece of Iron Kingdoms fiction you today. This one is called “Peace of Mind” and it also comes from an issue of No Quarter magazine. It features members of the Searforge Commission, a mercenary company drawn from the dwarven empire of Rhul. This story centers around a group of miscreants and unfortunates stationed at a backwater fort where they can’t get into much trouble. Well, that’s the theory anyway.

New to Privateer Press and the Iron Kingdoms? Check out this link for an introduction to this war-torn world of steam power and sorcery.


Peace of Mind

By Aeryn Rudel

Valkar rubbed his hands together and shivered. The sun was sinking on the horizon, and the tolerable cold of the day gave way to the unbearable chill of the long winter night. His watch didn’t end for another two hours, and he looked longingly back through the gates of Baram Fort toward the light and noise from the barracks. He shook his head and turned his gaze back to the small winding road that led up to the small fortress. Warmth and food would have to wait. Although the High Shield Gun Corps stationed at Baram Fort was not exactly known for following the rigid guidelines set forth by the Searforge Commission, Captain Vornek Blackheel considered dereliction of watch one of the few actionable offenses.

Drinking while on duty, fortunately, was not on the captain’s list of punishable activities. “Ecken,” Valkar said to his fellow guard, a much younger dwarf standing on the other side of the wide gate. “Give me a bit of that. These old bones are aching something fierce.”

Ecken had been dozing on his feet, a skill at which he was quite accomplished. The young dwarf came awake with a start and fixed Valkar with a hazy stare. “What did you say, Valk?”

“I said gimme a swig of uiske.”

Ecken looked down at the battered metal flask he’d been clutching to his breastplate and smiled. “Sure, Valk.” He walked across the short space between them, swaying slightly. He wasn’t quite falling-down drunk yet.

Ecken held out the flask. Valkar reached for it, but before he could take it, Ecken dropped it. The young dwarf stooped to retrieve the container, and his helmet tumbled from his head, revealing the huge scar above his left ear. The surgeons had removed a portion of Ecken’s brain after a Khadoran bullet had plowed through his skull. The hair hadn’t grown back over the wound.

Valk grimaced. “I’ll get it, Ecken.” He bent down and retrieved the flask and Ecken’s helmet, wincing as his aching knees popped.

“Sorry, Valk.” Ecken put his helmet back on.

Valk took a drink from Ecken’s flask, letting the cheap uiske burn a path of warmth down his middle, then handed it back. “You’re a good lad, Ecken. When our watch is over we’ll get some food, hey? You need more in your stomach than that Khadoran fire water.”

Ecken frowned. “I’m not hungry. I just want to go to sleep. My head hurts.”

Valkar put a hand on the younger dwarf’s shoulder. “I know. But I got my orders, and one of them is make sure Ecken eats.” Captain Blackheel had placed Ecken under Valkar’s care shortly after the wounded dwarf arrived at Fort Baram. It was the only place the Searforge would allow him to serve, a high mountain fortress in the middle of nowhere filled with the dregs of the Gun Corps: drunks, thieves, and miscreants. Ecken’s wound gave him near constant headaches, and it made him prone to violent mood swings, leaving him largely unfit for anything but guard duty at a fort that rarely saw visitors. It was a mercy, Valkar supposed, the Searforge had let Ecken remain in the corps, draw pay, and receive something resembling supervision and care.

A black look fell across Ecken’s face, and Valkar thought he might explode into one of his rages. They came on with little provocation, and Ecken would shout and bellow, even physically assault anyone who came near. The rest of the dwarves at Baram Fort knew to avoid their injured compatriot during these times, and only Valkar could calm Ecken down, usually. Last week, Lieutenant Murgan, the fort’s ogrun second-in-command, had to restrain Ecken, holding him immobile while he thrashed and cursed. After that, he’d fallen into a black depression that lasted days. The only thing that seemed to give him some measure of peace was drinking, and though Valkar knew inebriation wasn’t doing anything but masking the pain, he couldn’t begrudge the young dwarf his one escape from a grim reality.

“Okay, Valk,” Ecken said, and his face softened. “I’ll eat some porridge. I think I can keep that down.”

Valkar smiled, relieved. “Good lad. Now back to your post.”

Ecken nodded and returned to his side of the gate. Valkar didn’t mind looking after the young dwarf; it gave him something to do, a purpose. He’d come to Baram Fort not because he was a drunk, a coward, or even a bad soldier. His only crime was growing old. He’d served in the Gun Corps for fifty years, never rising above the rank of sergeant because he was happiest in the trenches, wading through the mud and blood with the grunts. Then they’d told him he was too old to serve, that it was time to set his rifle and axe down. They offered him a fair pension, but what would he do with it? He had no children, no wife, and only distant relatives. He’d get older, grow decrepit, and then die alone. He’d refused to retire, so they granted him one final post, a place where the Searforge Commission could forget about him. He accepted and found his place among Baram Fort’s group of misfits. At least he wouldn’t die alone.

“There’s a wagon coming, Valk,” Ecken said, pulling Valkar out of his thoughts.

Valkar looked down the narrow road, a nameless and little-used trade route that ran from the Rhulic city of Drotuhn and climbed through the Thundercliff Peaks, eventually connecting to Hellspass, the more conventional route for traders travelling between Khador and Rhul. Fort Baram was positioned to guard this all-but-forgotten route from the few travelers and merchants who used it—mostly to avoid the steep tolls of Hellspass.

A large wagon pulled by two huge Khadoran draft horses rumbled toward the fort. The driver wore a heavy black cloak with a hood, and eight men in chainmail hauberks with axes on their belts and rifles over their shoulders walked alongside the wagon.

Valkar frowned. He’d never seen a wagon so heavily guarded pass through Baram Fort. He glanced back through the gates; there were a few other dwarves moving about in the yard, on duty, and two or three more manning the walls, but they were coming up on a watch change and most of the troops were in the barracks.

“Ecken, let me do the talking here. Alright, lad?” Ecken nodded and took another drink from his flask. “And put that away.”

The wagon drew to a stop twenty feet from the gate. It was Valkar’s and Ecken’s jobs to speak with all those passing through and to check their goods for contraband. Valkar picked up his shield, a heavy square thing with a notch at the top that served as a rifle rest, and approached the Khadorans. His breastplate and chainmail felt heavier than usual, and his joints ached with every step. Ecken followed him.

“Good day, friend,” the driver in the wagon called down in passable Rhulic.

Valkar looked up at a weathered, bearded face and blue eyes that glinted like chips of ice from the depths of a hood. “What’s your business, and where are you headed?” Valkar asked, beginning their standard line of questioning.

“I am a dealer in exotic animals, and I have purchased one of your famed white bears from a trainer in Drotuhn.” He looked back at the payload of his wagon. There were three cages there, covered in a tarp. The tarp was rimed with ice. “We are travelling back to Skirov, where I run a menagerie.”

Valkar nodded. “Bear, huh?” He’d visited Drotuhn on many occasions, and they were known for quarrying stone, not training dangerous beasts. “Why are there three cages?”

The Khadoran merchant smiled. “I was hoping to buy a few other beasts, but the deals fell through. Two are empty.”

Valkar looked over at Ecken. The young dwarf was standing on the other side of the wagon, closer to the cages. His brows were furrowed in puzzlement, “I don’t smell bear, Valk,” he said. “I’ve smelled them before. Something stinks over here, but it’s not bear.”

The Khadoran’s guards had moved closer, four on each side of the wagon. Their faces were hard, weathered, experienced. They were professional fighting men.

“Do you have a bill of sale?” Valkar asked. He could feel the tension in the air. Something was wrong here, and he felt exposed, vulnerable. He had a horn at his belt he could sound to alert the fort of an attack, and his hand crept down to it.

“Of course,” the Khadoran said. He rummaged through the inside of his cloak. It took a little too long, and Valkar’s hand closed around the horn. But the Khadoran produced nothing more threatening than a thin sheaf of papers. He handed them down to Valkar.

Valkar ran his eyes over the first page. The Khadoran’s name was Dima Glukhov, or at least it was the name he’d put on the bill of sale. Everything looked in order. The man had purchased a bear from the market in Drotuhn and paid one hundred gul for it—more money than Valkar would see in a year. He handed the papers back to the Khadoran. “This looks in order, Tradesman Glukhov.”

“Excellent. Then we can be on our way and pass through your fortress?”

Valkar considered that. The papers were in order, but it was their job to confirm the goods stated by a merchant were actually what they were carrying. He could let them go. Captain Blackheel wouldn’t care. But something bothered him, a curious sense of dread that seemed to hang over the Khadoran and his wagon. He drew in a deep breath and let it out slowly, then said to the Khadoran, “One more bit of business. I need to verify if your cargo is what you say it is.”

A black look fell across the Khadoran’s face, and his eyes became flat and hard. “I hardly think that is necessary.” His voice was low, measured. “Perhaps we can come to some kind of arrangement.” He reached again into his cloak and pulled out a small sack tied with a drawstring. It clinked. “There is fifty gul here. Take it and let us be on our way.”

It was a lot of money, and almost every other member of Baram Fort would have taken it and let the Khadorans through. It just made Valkar angry. He opened his mouth to say something, but Ecken’s voice cut him off.

“Valk, there’s a man in this cage . . . with swords on his hands.”

Ecken had lifted the tarp on the closest cage and was peering beneath it. Valkar had been a soldier for over fifty years, and in that time he’d developed something like a sixth sense when it came to violence. He could almost taste it in the air. He knew the Khadorans were going to attack, but he was too slow to shout a warning as the guard nearest Ecken unlimbered his axe and smashed it into the young dwarf’s helmet. Arcane runes formed around Dima Glukhov’s fist and he unleashed a blast of freezing air at Valkar, smashing him to the ground and robbing the strength from his limbs.

Valkar’s hands were gloved against the chill, and they had kept the worst of the Khadoran sorcerer’s spell at bay. He fumbled for the horn at his belt, hearing Khadoran thugs moving toward him. He brought the horn to his lips and blew a single sharp note.

***

Mindslaver Orixus came awake to the sound of the human and dwarf speaking. He could feel their minds at the edge of his consciousness, but he couldn’t touch them yet. The alchemical mist the human had used on him was crude but effective; it dulled his mental abilities, made his thinking sluggish and uncoordinated. But his faculties were returning to him, and as they did, they brought cold anger and shame. That this pathetic human had managed to ensnare him and four drudges stung him. He’d taken a risk by leaving the hive with such a small guard, but the wounded soldiers on the battlefield near the hive offered a tantalizing collection of raw materials, and he wanted them before his rivals could lay claim.

The human had been waiting for him, expecting him. Orixus had been hit with the sorcerer’s freezing spell and unable to move or think. They’d stuffed him and his drudges into cages, treating him—Mindslaver Orixus, second of five in the Terxat Hive—like a mindless beast.

Rage flowed through his body, and its heat steadily burned away the fog in his mind. He could feel the human’s alchemical tranquilizer fading, like a melting iceberg. He would soon be free. The sounds of combat erupted outside his cage, and the cephalyx was pleased. His enemies would be distracted, long enough for him to regain full control of his abilities. He gathered all the mental force he could muster and pushed against the poison restraining him, hastening its dissipation.

Soon.

***

Valkar climbed to his feet, his legs heavy and slow. Ecken had gone down, and he feared the young dwarf had been killed, but he had more pressing concerns. He could hear the dwarves in the fort responding to his horn. The sound of many voices and the clatter of armor drifted through the gates.

One of the Khadoran thugs bore down on him. The man was big, maybe twice Valkar’s height, and he was swinging a two-handed axe. Valkar brought his shield up and the heavy axe cracked into it, biting deep into the top edge. This is just what Valkar had wanted. He let go of his shield, and his opponent had twenty pounds of iron and wood dangling at the end of his now-useless weapon. The human tried to pull the axe free, but Valkar brought up his carbine with practiced ease and shot the man through the chest. The heavy dwarven slug ripped through the man’s chain mail and shredded his heart.

Loud cursing in Khadoran drew Valkar’s attention back to Dima Glukhov. The Khadoran had jumped down from the wagon and held a single-bitted war axe in his right hand, its head encircled with runes. Glukhov was heading for Valkar, and a ring of azure light formed around his fist.

Valkar backpedaled, heading toward the open gate. He stood little chance against the Khadoran spellcaster. The loud cracks of dwarven carbines sounded behind him, and he heard one voice rising above the din. “What in the name of Ghor’s bleeding ass is going on out here?!” Captain Blackheel had a drill instructor’s volume, and everyone turned in his direction. Looming beside him was his second, Murgan. The ogrun was armored head-to-toe in chain and plate and had his warcleaver and shield in hand.

A line of gun corps riflemen had formed before the dwarven commander, and they parted to let Valkar through. Glukhov stood in front of his wagon, his men around him. The spell runes had disappeared.

“What happened, sergeant?” Murgan asked as Valkar drew near.

“We were checking their goods, and they attacked. One of ‘em knocked Ecken down. He’s still out there.”

Captain Blackheel grunted in irritation. Then he settled his helmet on his head, hitched his breastplate into a more comfortable position, and took hold of his axe. He stepped through the line of dwarven riflemen, his face a black cloud of anger.

“Alright, you bloody Reds,” he began, looking directly at Glukhov. “You can lay down your arms and tell me why you attacked my boys, or I can give the order and shoot you until you stop twitching. What’ll it be?”

The captain was black-tempered, surly, and frequently drunk, but he was also one of the bravest dwarves Valkar knew and a skilled battle leader. He’d always meant to ask the captain how he’d ended up at Baram.

Glukhov lowered his axe and smiled. “You seem a reasonable sort. I need to get through your fort, and I’m willing to pay to do it.”

“You killed one of my boys,” Blackheel said. “I can’t let that stand.”

Valkar didn’t know if Ecken was dead, but he dared not say anything.

“And you killed one of mine, so we’re even on that score.”

Captain Blackheel spat out the wad of sourleaf he’d been chewing, reached into his pouch for another, and stuffed the dried leaves under his bottom lip. Then he shook his head. “No, I don’t like it. You’re gonna put your weapons down, let us take you into custody, and then we’ll see what the Trademaster at Hellspass has to say about your cargo. Whatever the hell it is.”

Glukhov’s eyes went wide, and something that looked like fear flashed across his face. The runes formed around his fist again, and Blackheel raised his hand, signaling to the twenty rifles behind him to take aim. “I mean it, Red.”

Valkar felt the air grow thick with tension, but then something else appeared in the back of his mind, a presence, looming and dark. He heard the telltale metallic clatter of locks falling away, and then something rose up over the wagon, hovering like a grim black wraith.

Dread speared Valkar’s guts as the thing came into the light, drifting through the air behind Glukhov. It was man-shaped and clad entirely in black leather, but its head was a swollen orb from which five blue lights shone, eyes maybe. Worst of all, four metallic limbs jutted over the creature’s back, each tipped with a hooked blade.

“Captain,” Valkar called out, but it was too late. The creature descended on Glukhov like a great black spider, its metallic limbs scything forward. The Khadoran spellcaster’s head came away from his neck in a spray of blood, and he collapsed to the ground twitching.

“Fire!” Captain Blackheel called.

Nothing happened.

Valkar looked down the lines of riflemen and saw blank stares, their weapons hung limply in their hands.

Valkar then felt the creature’s presence grow in his mind, and he heard its voice, an irresistible whisper. Come to me. His feet moved at the behest of another, and he saw he was not alone, the rest of Baram Fort had lowered their weapons and shuffled toward the spindly black horror

Valkar tried to fight it, to push away the monster’s influence, but he couldn’t. He was a prisoner in his own head, watching his body move and react as if it belonged to someone else. The Khadoran thugs were enthralled as well, moving closer to the creature.

From behind the wagon came four more abominations. They were men, or might have been once, but their bodies had been altered, augmented. Each wore a heavy helmet that covered the head and neck. Yellow light glowed from the visor slits. Their arms ended in a curious array of blades, clamps, and saws, like something you might see on a warjack.

Yes, this is your future, you pathetic worms, the creature whispered into Valkar’s mind, maybe into all their minds. He was shown images of dark caverns filled with terrible apparatuses where men became monsters, where flesh was replaced with steel and wire, and where the soul and will were scrubbed clean from mortal minds.

Movement to Valkar’s left caught his eye. He couldn’t turn his head, but, on the periphery of his vision, he saw Ecken stand up. He was relieved the young dwarf had survived but horrified he would be subjected to the same terrible fate as the rest of them.

Ecken was closer to the black-shrouded monster, and he shuffled up to it. It glanced down at him, and Valkar felt its curiosity ripple through his mind . . . then, shockingly, fear. The creature tried to move away, but Ecken had his axe in hand. He swung it, buried the steel in the creature’s midsection.

A piercing psychic wail of shock and agony burst through Valkar’s mind and he fell to his knees, clutching his head. The dwarves and humans around him did the same.

Ecken yanked his axe free in a spray of blood and brought it around again, this time in an overhand strike at the creature’s misshapen skull. The blow landed true, and the monster’s head burst like an overripe melon, splattering gore in all directions.

The presence in Valkar’s mind winked out, and he was once again in control of his body. He climbed to his feet and broke into a stumbling run toward Ecken. The young dwarf stood over the corpse of the alien creature, a puzzled look on his face.

“Are you okay, lad?” Valkar said and took Ecken by the shoulders.

Ecken smiled and pushed his helmet off his head. It had a big dent in it where the Khadoran thug had struck him. He let the helmet fall to the ground, reached up, and touched the gruesome scar above his ear. “I felt it, Valkar. It was in my head, but it couldn’t make me do what it wanted.” He laughed softly. “I think the surgeons cut that part out.”

Valkar pulled the injured dwarf into a tight embrace. “Thank the ancestors,” he said then gently pushed Ecken back and looked into his eyes. “You’re still a soldier, lad. And you did a soldier’s work today. Saved us all. Don’t you forget that.”

“Put these bastards in shackles,” Captain Blackheel bellowed behind them. The rest of the gun corps collected the weapons of the remaining Khadoran thugs, who had lost all interest in fighting and handed them over without a fuss. “Now put ‘em in cold storage until we figure this mess out.”

The captain walked over to Ecken and Valkar and looked down at the corpse of the black-clad creature at their feet. “What in the name of all that is good and green is that bloody thing?” he said. “Never seen anything like it. What about you, old man?”

Valkar shook his head. “No, sir.”

“Well put it into cold storage with the rest of these Khadoran fools,” Blackheel said. “And, Ecken, good work, soldier.” He walked away, bellowing more orders.

Ecken pulled his flask from his belt and shook it, but he didn’t take the cap off.

“Go on, lad. You’ve more than earned yourself a drink,” Valkar said.

Ecken looked up at him, his eyes filled with a deep and abiding sadness. The clear understanding of all that Khadoran bullet had taken from him was overwhelmingly evident on Ecken’s face. It hurt Valkar to see it. “Not now, Valk,” Ecken said, putting the flask away. “Maybe I should eat something.”

Valkar looked away and wiped at his eyes, but he showed Ecken a smile when he turned back. “Right, lad; let’s get some food into you.”

***

Originally appeared in No Quarter #67, published by Privateer Press


If you’d like to read more about the dwarves of Baram Fort, you can do so right here on this blog. The story “Wayward Fortunes” features another adventure with the misfit Rhulfolk and their captain, Vornek Blackheel.

Submission Statement: July & August 2018

Well, I missed the submission statement for July, so I’m just gonna lump it in with August. Here’s a couple of months of submissions, rejections, and acceptances.

July & August 2018 Report Card

  • Submissions Sent: 13
  • Rejections: 10
  • Acceptances: 7
  • Publications: 3
  • Other: 3

Thirteen submission is pretty good, though most of those came in August. Ten rejections for two months is a little on the low side, but that’s because seven acceptances in on the very high side. Three of the acceptances were also published in in July or August. Lastly, the three others are short-list letters, two of which became acceptance letters. So, despite just an average amount of submissions sent for these two months, results-wise, this might be my best two month period, uh, period.

As for total submissions, I hit 86 for the year by the end of August. I’ve already sent some September submissions, though, putting me at 88 and just twelve away from my goal of 100.

Rejections

Ten rejections, five for July and five for August.

  • Standard Form Rejections: 7
  • Upper-Tier Form Rejections: 2
  • Personal Rejections: 1

More form rejection than anything, and these were all from pro markets. The two upper-tier form rejections were from a semi-pro and a pro market. The personal rejection was from a pro market.

Spotlight Rejection

The spotlight rejection for the July and August is the personal rejection I received.

Thank you for allowing us to read your story, [story title].

Thank you for being patient while we held your story, but we did not choose it for the lineup.  Any story in the hold pile was one that we would have been happy to publish, but we didn’t have the resources to publish all of the stories that we liked and we have to make some hard choices.  We hope you find a publisher for it, and that you will submit again in the next submission window.

While we don’t always offer comments on stories, this time we did.  These comments are meant to be helpful; if you disagree with the comments, then you should feel free to disregard.

“A well-done piece of flash, foreshadowing major consequences, letting the reader wonder, until the chilling reveal and a solid final line.”

Best,
[editor]
[publication]

This is a personal rejection after a short-list letter for a pro market that received over 1,200 submissions during their submission window. The comments here are great since they basically tell me I’ve got a good story on my hands. But you know what I’m gonna say. Yep, good stories get rejected too, especially when you’re up against tons of other submissions by lots of talented writers. If you get a rejection like this, don’t overthink it. Just send that story out again. That’s what I did.

Acceptances

So, yeah, seven acceptances is pretty damn nice. It broke down as three for July and four for August. The only really interesting thing about these acceptance letters is most of them were essentially form letters. That’s not uncommon, honestly, as editors have to get across a lot of information in an acceptance letter about contracts, publication dates, editing, and what they need from the author (bios, author photos, etc.). Since many publication send their acceptances in batches just like their rejections, a form letter makes a lot of sense. Sometimes a personal note about the story will be tacked on to the end of the acceptance letter, but that stuff usually comes in the emails that follow.

Here’s an example of one of those acceptance form letters:

Hi Aeryn,

Thank you for taking the time to submit your story [story title]. I’d be delighted to publish it on [publication].

I’ve scheduled it for publication on 14 September, if this date changes I will let you know.

Thanks again for submitting your work.

Regards

More on this acceptance and some of the others as they near publication.

Publication

Three of the stories accepted in July and August have been published, and you can read them by clicking the links below.

 

“Two Legs”

Published by The Molotov Cocktail

 

“Do Me a Favor”

Published by The Arcanist

 

“Bear Necessity”

Published by The Molotov Cocktail

 


And that was my July and August. Tell me about yours.

Submission Protocol: Summary Execution

In my opinion, one of the toughest things for writers to do is summarize their work into a few sentences. I mean get it down to pitch length, still make it interesting, and avoid giving away the entire plot. Authors aren’t called on to do this very often with short story submissions, but a few markets ask for a brief synopsis in the cover letter.

So how do you write a good summary? Well, I’ll tell you how I do it, but before we get started be advised that story summaries are somewhat rare in publisher guidelines and you should never include one unless the publisher specifically asks for it.

Okay, as with everything submission-related, always read and follow the guidelines. When a publisher asks for a summary, they’ll usually say something like this:

Please put your title, byline, and word count in your cover letter, as well as a brief note about how your story fits the theme.

Brief and fit the theme are the important bits there. When you write a summary or synopsis, keep it to a single paragraph, and make sure you clearly demonstrate how the story fits the theme of the magazine or anthology. Something like this:

Set in the mid-50s, “When the Lights Go On” takes place in a small towns near Arco, Idaho, the first to be powered entirely by nuclear energy in the United States. The townsfolk have noticed terrible changes in themselves whenever they turn on the lights powered by this new energy source. 

What I want the editor to get out of my summary are three things: how my story fits the theme/subject matter of the publication, the general premise of the story, and the primary plot hook. I feel if I can accomplish all that, I’m in good shape.

Here’s another, longer story summary. It’s still a single paragraph, however, and again, my goal is to explain how it fits the theme of the publication, set the premise, and give a plot hook.

In an alternate version of the United States, the country has instituted archaic dueling codes overseen by a government agency called the Bureau of Honorable Affairs. Victims of certain offenses can force their tormentors to face them in state-sanctioned combat. In a “Point of Honor,” the protagonist, Jacob Mayweather, is challenged to a duel by a man he has never met for a crime he does not remember committing. 

This is about as long as I would go with a summary (this one is 70 words). More than that, and I think you risk a) giving away too much of the story, b) losing the interest of your reader (the editor), and c) failing to follow guidelines that include words like “brief” or “quickly.”

That’s how I write a story summary, but why would publishers want one in the first place? I think there are two reasons and editor might request one.

  1. Fit the theme. More often than not, when I see a request for a story summary its from an anthology with a very specific theme. By asking writers to briefly summarize their stories, the editors can determine if the story is going work for the anthology before reading it. If the theme is hard sci-fi and the editors get a submission with a story summary that is clearly epic fantasy, they don’t have to waste time reading that story.
  2. Writing sample. A story summary is going to give the editors a sneak peek at the author’s writing ability. Can they clearly and engagingly describe their story? Do they use punctuation and grammar correctly? This is not to say a badly written summary means the editors won’t read the story or that a good one increases chances of an acceptance, but it’s a first impression that will likely color the editor’s opinion of the story to follow.

What are your thoughts on summaries and synopses? Tell me in the comments.

A Week of Writing: 8/20/18 to 8/26/18

It’s Monday, and here’s my literary ledger sheet for the week.

Words to Write By

Still reading a bunch of Elmore Leonard, and since he’s such a great source for quotes, here’s another one.

“When you are developing your style, you avoid weaknesses. I am not good at describing things, so I stay away from it. And if anyone is going to describe anything at all, it’s going to be from the point of view of the character, because then I can use his voice, and his attitude will be revealed in the way he describes what he sees.”

—Elmore Leonard

This one resonates with me for a couple of reasons. First, I wholeheartedly agree that your style is a focus on things your good at and probably the minimization of the things you struggle with. The other reason this quote speaks to me is, well, I’m not great at describing things either, and if Elmore Leonard can get away with it, maybe there’s hope for me too. No surprisingly, in Leonard’s famous Ten Rules of Writing number eight (Avoid detailed descriptions of characters) and number nine (Don’t go into great detail describing places and things) are my favorites.

The Novel

Late Risers is still with my critique partners, and preliminary feedback continues to be positive. I’m eager to get the novel back so I can start fixing all the problems my critique partners have almost certainly identified.

I have some other news about another book I can’t share right now, but I’ll fill you all in just as soon as I’m able. 🙂

Short Stories

I finished a new science fiction short story last week, and it’s currently being worked over by my writing group. I expect to have a version ready to send out this week. I also revised a flash fiction story and got that out the door.

Got a few more submission out last week.

  • Submissions Sent: 2
  • Rejections: 1
  • Acceptances: 1
  • Publications: 0
  • Shortlist: 1

A pretty good week for submissions, maybe not in volume, but the overall results were encouraging. The acceptance is from Factor Four Magazine, a new pro market I’ve been trying to crack since they opened. The story I sent them was a brand new one, and it’s always great to get those one-and-done submissions, especially with a really good market. The submissions last week put my at 83 total for the year.

The Blog

Two more blog posts last week.

8/20/18: A Week of Writing: 8/13/18 to 8/19/18

The usual weekly writing update.

8/22/18: Accepting the Unacceptance 

In this post I discuss the rare and unfortunate unacceptance.

Goals

Uncanny Magazine is still open for submissions, and there’s a story I’d like to revise and send to them. I’d also like to finish up the initial revisions on the new story I mentioned and get that out the door.

Writer Pal Spotlight

This week we’re going to do something a little different. Instead of directing you to my own meager accomplishments, I’m gonna point you at two brand new novels by two of my writer pals you definitely need to check out.

First up is Vox by Christina Dalcher. If you haven’t yet heard of this book, get out from under that rock and go buy it.

Next is Texas Ranger co-authored by Andrew Bourelle and some guy named James Patterson. 🙂


That was my week. How was yours?

Accepting the Unacceptance

I’ve had a good year for acceptances, and I’m up to an even dozen so far. But, as they say, in every life a little rain must fall, and one of those acceptances is, well, not an acceptance anymore. Let me explain.

Earlier this year I received an acceptance for a story with a promise of publication in around three months. When I didn’t hear from the publisher by the end of that period, I sent them an email asking for a status update. Then I checked their website and discovered it had disappeared. I followed up by checking Duotrope and learned they’d been marked as “Permanently Closed.” I waited a month to see if they’d respond to my email. They didn’t, so I sent the following withdrawal letter (more or less).

Dear [publisher]

It appears [market] has closed and is no longer publishing fiction. At this time, I’d like to withdraw my story [story title].

[personal note]

Best,

Aeryn Rudel

Did I have to send a withdrawal letter? Probably not, but as I’ve said before in these circumstances, you don’t know what’s happening on the other side of that email. No publisher wants to go under, and though I would have preferred notification that my story would not be published, I also understand this is not personal. It’s just the fallout from what is certainly a bad situation for everyone. I sent this letter because I want to submit the story elsewhere, and if the publisher were to start up again, I don’t want there to be any confusion on that point. I also included a personal note thanking the publisher for accepting the story and expressing my condolences the market would no longer be publishing.

After comparing notes with Michael Bracken, an author whose knowledge on the subjects of submissions and rejections far exceeds my own, he called this an example of the unacceptance. If you’d like to learn more about that particular phenomenon, Michael was kind enough to write a guest post about it a while back. You can find that post right here: The Unacceptance Letter by Michael Bracken.


Do you have any experience with the unacceptance? Tell me about it in the comments.