One-Hour Flash: Kite Flyers

Hey, all, here’s another installment of one-hour flash. I’ve got a weird one for you this time. With these one-hour flash challenges, you get a prompt, usually a photo, and then you have sixty minutes to write something resembling a coherent story. Sometimes that prompt resonates, and you come up with something pretty workable. Sometimes it doesn’t and you struggle to come up with anything, and when you do, it’s, well, bizarre. This story is the latter. The prompt for this one, if I remember correctly, was a photo of big squid kite, and, as a horror author, my mind immediately latched on to . . . well, you’ll see.

Anyway, here’s a story called “Kite Flyers.”


Kite Flyers

They looked foolish. Samuel knew it, but at least the fog gave them some cover. It was probably better the few people in the park couldn’t see all the kite flyers clearly, anyway. Some of them only came out on this very special afternoon when the wind and the fog mixed, creating a sky full of swirling grey eddies and whorls.

Samuel stood on a hill, his kite in the air. It pulled at the spindle in his hands as it surged against the twine and the wind. He could just make it out in the fog, a wide canvas diamond with a vivid yellow cross. In the middle of that cross was a collection of Latin words culled from an ancient Christian manuscript, the Book of Lios. That particular book hadn’t been considered for entry into the Bible most Christians were familiar with. In fact, the church considered it witchcraft and had ordered most copies burned over five hundred years ago.

Samuel could see the shapes of other kites now, as each kite flyer took his or her place on one of the many low mounds surrounding a patch of reddish-brown clay. He knew the city had tried to grow grass in the patch for years with no luck. Nothing would take root there, not even weeds.

The wind picked up, and the fog thickened. Two events that any weather man would tell you were completely contradictory. Not on this afternoon. He looked up and saw other kites through the fog: a blue square with the Star of David in gold, a bright red triangle with the dharmachakra of Buddhism, and he could just make out the shape of a golden box kite painted with the interlocking spiral of the yin yang. He knew each of these kites, like his, bore text from works far older than the faiths they represented. Words that had been folded in to each faith and largely forgotten. Forgotten until today, when the kite flyers took to their mounds. He knew more kites lurked in the fog, some representing religions he recognized and some bearing strange sigils that belonged to faiths with few adherents. Few human adherents, anyway.

They all gathered on this day, their differences in doctrine and theology—no matter how acrimonious—set aside to focus on one goal. That goal had just taken flight, and its owner stood in the center of the mounds. The kite was massive, far larger than any single person should be able to handle—a great green monstrous thing, a floating octopoid head trailing dozens of streamers of bright pink canvas tentacles. The symbols on the great squid kite were a riot of strange angles and spikes. It hurt to look at them. It hurt even more to look at the kite flyer, even though he wore a great brown shapeless coat that covered most of his body. His proportions were oddly humped, and his stooped frame suggested something awful and ancient. He gripped his kite spindle—its twine a greasy pink like a length of stretched intestine—in gloved hands that had too few fingers or perhaps too many.

Samuel pulled his attention away from whoever flew the squid kite and focused on his own. He let out more string, moving his hands lower at the same time. His kite darted in the wind, moving back and forth. The box kite was the first kite to make contact. It snapped out the air, diving in low, its flyer clearly trying to pull his kite string across his target’s. The squid kite moved quickly to the left—against the wind—and the box kite missed its mark and smashed into the red clay in a tangle of canvas.

Samuel grimaced. One down.

More kites appeared in the air around the great squid, a riot of shapes, colors, and religious symbols on the wind. They dived in and out, their flyers trying desperately to smash their charges into the great floating orb of the squid or snap its string. They failed. The squid kite moved with unnatural speed and agility, avoiding the dive-bombing swarm of smaller kites. Its operator also snapped his kite’s streamers, the squid’s tentacles, up with surprising force, smashing enemy kites out of the air and sending them crashing to the ground.

Soon the clearing between the mounds was littered with downed kites and terror gnawed at Samuel’s belly. He had never seen so many fall so quickly. He let out enough twine to make his own attack but held off. There were still kites in the air: the Star of David still flew along with others he did not recognize. They were holding back, waiting. They had one more shot, one more massed attack. If they failed . . . He didn’t want to think about that. About what it meant to the world beyond the fog if all their kites fell and the great squid still flew.

It was time. He felt it, just as the other kite flyers must have. Attack now.

Samuel pulled hard on his spindle and his kite darted out of the fog, down toward the great squid. Others were doing the same, but this time they coordinated the assault, with equal numbers attacking the body of the great kite and its string. The squid juked in the air, avoiding all but one of its attackers. He saw a kite in the shape of great black crow slam into the squid and heard the sound of snapping kite spars. The squid shuddered but did not fall.

Samuel’s own kite now made contact, and its twine crossed the thick pink ribbon keeping the squid aloft. The spindle shuddered in his hands and it was nearly torn from his grasp. Then the sound of twine snapping echoed across the park. The squid’s line parted, and its operator stumbled backward with a shrill alien cry.

The great squid floated to the ground slowly, flattening out once it contacted the earth like a gob of mucous spat from the heavens. The remaining kites fell around it as their operators climbed down from their mounds. Samuel dropped the spindle and turned his back on the field of ruined kites. He would return in one year, on the day when the fog and the wind collide.


I warned you. Weird, right? The problem with this one is not so much that it’s a vignette or a scene; there’s actually kind of a story here. The problem is the concept is so preposterously strange (I’d even venture to call it silly) no one would publish it. Still, I’m amused by what my desperate brain came up with when given the chance to mix kites, of all things, and horror. Yep, the dreaded Cthulhu kite of doom. 🙂

If you’d like to check out the previous installments in the One-Hour Flash series, click the links below.

Which Work Do You Read? – A Poll

As some of you know, my current published works reside in two very different camps. First, there’s the work I do for Privateer Press, which includes two novels, a handful of novellas, and a whole bunch of short stories. All that fiction is set in Privateer Press’ Iron Kingdoms setting, a steampunk-esque fantasy world. Then there’s my other work, which is, of course, my own IP, and is primarily horror (with a smattering of sci-fi and fantasy). That’s mostly short stories, though I’m currently working on a novel.

I’m just curious who reads what. Do my IK readers read my stand-alone work, and do my horror, sci-fi, etc. readers read my IK work? If you’ll indulge me, I’ve created a little poll here to get something of an answer to that question. No judgment either way. I completely understand that horror or fantasy may not be someone’s cup of tea. I’m just thrilled anyone reads anything I write. Period. 🙂

 

Okay, now that you’ve answered the poll. Here’s some free stuff to read.

If you’re interested in checking out the Iron Kingdoms writing I do for Privateer Press, there’s a bunch of links to various published works here. There’s also a couple of free stories on the blog published when I was still on staff with Privateer. Links below.

  1. Tomb of the Deathless
  2. Wayward Fortunes

Finally, if you have a Kindle Unlimited membership, you can read one of my IK novellas, On a Black Tide, for free. Otherwise, it’s .99 cents.

If you’d like to check out the other stuff I write, mostly horror, there’s a whole bunch of that free on the internet. There’s a fairly comprehensive list on the blog with links right here, but I’ll list a couple of my favorites below.

  1. “Night Games” – This is a story about vampires and baseball. Yep, you heard that right. Read it from Devilfish Review or listen to Pseudopod’s awesome audio version.
  2. “Scare Tactics” – A parapsychologist and her pet demon get up to some supernatural hijinks in this one.  This is another one you can read at Devilfish Review or check out a fun audio version from Dunesteef.
  3. “Cowtown” – My most recent publication, “Cowtown” is a flash fiction piece (1,000 words) that mixes horror and comedy. You can read that one at The Arcanist

Anyway, please vote in the poll if you’re so inclined, and if you have any questions about any of my work, ask away in the comments.

Acts of War: Aftershock – Crucible Guard in Acts of War

Last weekend Privateer Press held its annual convention Lock & Load in Bellevue, Washington, and announced a whole bunch of exciting things for the Iron Kingdoms, the setting for the tabletop miniatures games WARMACHINE and HORDES. I was at the convention signing copies of my new novel Acts of War: Aftershock, and perhaps not too surprisingly, the novel serves as a bit of a preview to one of those exciting announcements.

If you watched the keynote from Lock & Load, then you saw Privateer Press announce next summer’s new faction, the Crucible Guard. For those of you familiar with the Iron Kingdoms, you’ve no doubt realized the Crucible Guard are connected to the guild of alchemists called the Order of the Golden Crucible.

So, if you’re excited about the Crucible Guard (I sure as hell am), and you’d like a preview of what some of them can do, check out Acts of War: Aftershock, which features two upcoming models from the new faction, including one of their warcasters, Aurum Legate Lukas di Morray.

Here’s a little taste of Aurum Legate Lukas di Morray from Aftershock.


Lukas moved to a stand near the back of the armory where a suit of armor hung. Outwardly, it looked like a simple breastplate of yellow enameled steel with pauldrons, vambraces, and greaves. As Magnus got closer, he noticed the network of thin tubing that ran from the breastplate to the other pieces.

Magnus lifted the breastplate from the stand and set it on Lukas’ shoulders. He then noticed the strange contraption that occupied the same space as an arcane turbine on a traditional suit of warcaster armor. It consisted of half a dozen empty tubes, each about six inches long that jutted from the back plate in two rows of three.

Alyce stepped forward to help her husband with the rest of his armor. “There, on that table, you’ll find a case with twelve vials,” she said to Magnus, pointing at a low wooden table covered in ammunition crates.

Magnus found the case she’d indicated. Inside were a dozen vials of clear liquid with attached syringes. They looked like they would fit in the tubes across the back of Lukas’ armor. More of his serum.

Magnus watched as Alyce placed the syringes into the armor, pushing each one in firmly. Lukas grimaced as the needles punctured his flesh.

“They’re in,” she said.

Lukas took a deep breath and turned his right arm over, exposing the underside of the vambrace. A row of three studs or buttons rose from the steel plate, and he pushed the first one. A soft hiss arose from the back of his armor. He sighed like a man who finally had the one thing he most desired. The flesh on his face grew firmer beneath his beard, as if the weeks and months of his captivity had simply not happened. His back straightened, and his chest seemed to gain breadth and power. Aurum Legate Lukas di Morray was beginning to look like the war leader they had risked so much to free.


If you’d like to learn more about Aurum Legate Lukas di Morray and his wife Aurum Omnus Alyce di Morray, check out Acts of War: Aftershock, available below:

 

Get it in Print – $15.99
Get an eBook – $7.99

Acts of War: Aftershock Now Available

If you’ve been following this blog over that last 30 weeks or so, you’ve seen me document the process of writing, revising, and editing my novel Acts of War: Aftershock. Well, today, all that work comes to fruition. Acts of War: Aftershock is now available in eBook and print formats from all the usual suspects.

War Has Come Again to Llael

On the heels of inflicting defeat upon the Khadorans at Riversmet, Lord General Coleman Stryker marches deeper into enemy territory to prepare a major assault. But he is unprepared for the avalanche of a massive Khadoran counterstrike. Empress Ayn Vanar and Supreme Kommandant Irusk send their nation’s most fearsome warcasters to retaliate against the invaders and secure her conquered territories at any cost. Hope comes in the form of Ashlynn d’Elyse, warcaster and leader of the Llaelese Resistance, a woman with no love for Cygnar but who could make for a powerful ally if convinced to help. Along with Asheth Magnus, Stryker’s enemy-turned-ally, this unlikely team must fight to persevere despite being outnumbered, outmaneuvered, and cornered with only their wits and a few warjacks to save their cause from utter annihilation…

Get an eBook – $7.99:

Get it in Print $15.99:

And, of course, if you haven’t read the first book in the series, Acts of War: Flashpoint, you can get that right here.

Get it in Print – $14.99

Acts of War: Aftershock – Excerpt #3

The release date for Acts of War: Aftershock is right around the corner, and here’s one more excerpt to whet your appetite before the book drops on July 12th. This time, we’re going to focus on one of the primary antagonists for the novel, Assault Kommander Oleg Strakhov, and a mysterious new character who has a big role to play in this book and the next.


Rynyr, Khadoran-Occupied Llael

Lukas di Morray had never known such pain. At least that’s what his mind told him; it insisted his suffering was worse than any he had ever endured. His muscles were stone, drawn tight against his bones, and they sent ragged shards of agony through his body with even the slightest exertion. His skin itched and burned, and though he had torn away all his clothing save for a bare strip around his loins, he sweated rivers, and the warm stones of his cell offered no respite.

But it was his mind that pained him most, his mind that conjured specters of friends and family now lost, dead or captured by the enemy. It dredged these memories from his subconscious to torture him, to remind him of his failings, of his dereliction of duty. Most of all, his mind howled with incessant need, the all-encompassing want of the serum to which he’d become addicted. He’d been without it for weeks, ever since his capture, and each day that passed, he grew weaker, withering without the alchemical concoction that granted him strength, vitality, and some semblance of sanity.

The serum was like no mundane drug. There would be no torturous period of withdrawal and then improvement, possibly even freedom from the addiction. No, the strength his serum granted him damaged his body each time he used it, pushed him one step closer to death, and he was much more likely to die if denied it.

He rolled over onto his back, staring up at the ceiling. The heat from the volcano permeated the stone, turning his cell into an oven that slowly baked the moisture from his body. They would bring water soon, and it would offer some fleeting respite, but then the questions would begin, and he still clung to enough of his self to resist them.

He heard footsteps, heavy and purposeful, coming down the hall toward his cell. It would be Strakhov again, coming at the appointed hour to question him. Perhaps he could endure another beating and resist. Or perhaps not.

The barred door of his cell opened with a metallic squeal, and a shadow fell across him. He could smell the smoke from the Khadoran’s warcaster armor trickling into his cell, making the heavy stale air all the harder to breathe.

“Would you like a drink before we begin, Legate di Morray?” Strakhov’s voice was deep, and his Llaelese was practiced and precise with no trace of an accent.

Lukas let out a shaking breath and closed his eyes, fighting tears at the mere mention of water. He could hear it sloshing in the bucket carried by the guard accompanying Strakhov, and though it was undoubtedly warm and would taste of sulfur, it would be a single moment of relief he desperately wanted.

“Today, you can drink as much as you like,” Strakhov said. “Come now, sit up, drink.”

Lukas sat upright, his muscles screaming in protest, and bit down on his lip to keep from crying out. Strakhov and his guard came around to the other side of the cell. The guard, a man in black armor wearing the gas mask of an Assault Kommando, carried a metal bucket from which the handle of a ladle projected. The sloshing inside that bucket was the music of heaven, and Lukas knew he was staring at it like a starving man stares at a crust of bread.

Strakhov was a large man, made even larger by the bulky warcaster armor he wore. His face was square, handsome, though severe in a way that made him less attractive and more threatening. A long jagged scar ran down the right side of his face, crossing his lips and ending above his chin, and he wore an eye-patch over his left eye, a starburst pattern of scars blooming out at its edges. He oozed threat and power, both of which he had in ready supply.

The guard set down a sturdy stool in front of Lukas, and Strakhov sat down on it. He leaned forward, smiling, showing his straight white teeth like a shark just before it bites. “Now, come and have your drink.”

Strakhov held out his hand, and the kommando gave him the bucket. He set it on the ground between him and Lukas. Strakhov dipped the ladle in and pulled it out, dripping water, and lifted it to his own lips. He took a deep drink and smiled.

“It is good,” he said. “We found a water purification system, so this is clean and pure.”

Lukas watched Strakhov drink. He would have drooled uncontrollably if he’d had enough moisture in his system to do so. “Please,” he croaked.

“Of course, Legate, come forward,” Strakhov urged. The distance between them was only a few feet, but it seemed a world away to Lukas.

He crawled toward Strakhov, his body shuddering with the pain. When he reached the bucket, he sat up again. Strakhov offered him the ladle. “Drink.”

Lukas took the ladle, the muscles in his arm spasming at the weight of it, and dipped it in the bucket. He pulled out a full dip, his shaking hand spattering with water as he brought the ladle to his cracked lips. He gulped the water down, the liquid burning the sores that had formed inside his mouth, but he didn’t care. It was exquisite, and Strakhov was right: the water tasted pure and clean.

He plunged the ladle back into the bucket for another drink, but Strakhov shot out a hand and caught his wrist. There was no denying the iron strength in that grip, and Lukas whimpered with fear and pain. Strakhov clicked his tongue.

“You can have another drink when you answer a question. One drink for one question. This is a fair exchange, no?”

Lukas nodded. His lips trembled, and total mental collapse was not far off, but what choice did he have? “Ask.”

“Good,” Strakhov said. “Very good. First, I want to know the primary ingredient of your serum.”

They had been down this road before. Strakhov had seen the effects of what the serum could do, but he didn’t understand it, didn’t understand how dangerous it was, didn’t know how many men had died horribly testing it, and didn’t grasp that Lukas and his wife were the only successful experiments—and that success was a debatable term in either case.

“I told you before,” Lukas said, “the serum is a failure. It can’t help you.”

“A failure?” Strakhov said. “I find that hard to believe. When we took you in Laedry, you killed eight men and destroyed a warjack by yourself. You are no warcaster, yet this serum made you the equal of one.”

“Yes, it made me strong before, but look at me now. I am withering away without it.”

“Improvements could be made, certainly,” Strakhov said. “But if the serum is truly a failure, what harm is there in telling me its main ingredient?”

“You asked about the inner working of this citadel before, how the lava is controlled and dispersed throughout the city. I helped design the system. I can tell you how that works instead.”

Strakhov smiled. “We will get to that soon enough, Legate, but today, I have different questions, and certainly you want that drink.”

The serum was a failure. Lukas knew it, and if he gave it to Strakhov, the warcaster would take it back to the Greylords Covenant, and they would attempt to unlock its secrets. Maybe they would improve on it, and such a thought was terrifying. If Khador could create warcasters at whim, even those with a third of the power Lukas commanded, they would gain an overwhelming advantage in battle.

“It doesn’t matter,” Lukas said. “The serum doesn’t work.”

Strakhov put the ladle back into the bucket and motioned for the guard to take it away. “We are reasonable men, you and I. Yet you would force me to use methods I find…distasteful to get what I require.”

Lukas braced himself for another beating. Strakhov was expert at delivering painful blows that did not leave lasting damage to the head and body. Lukas would soil himself and wail in pain, but he would survive, and the serum would stay a secret.

Strakhov got up and went to the cell door. “Bring them in,” he called down the hall.

The sound of footsteps, many footsteps, echoed off the stone. These were not the strong deliberate treads of soldiers; it was slow, dragging, the sound of men and women walking to their deaths. Four men and three women entered the cell, two Assault Kommandos behind them, carbines at the ready. The prisoners wore tattered rags, and they had likely been taken from the citizenry of Rynyr before the city was cleared out. Lukas looked at each of them, not recognizing anyone, until he got to the last woman in the group. There, his heart caught in his throat. Both fear and joy seized him.

Alyce. No.


Got a question about the book? Fire away in the comments section below. And if you’ve missed any of the Aftershock articles and updates for the previous weeks, you can find them right here:

Week 1 Update Week 8 Update Week 15 Update Week 22 Update 
Week 2 Update Week 9 Update Week 16 Update Week 23 Update 
Week 3 Update Week 10 Update Week 17 Update Week 24 Update  
Week 4 Update Week 11 Update Week 18 Update Week 25 Update  
Week 5 Update Week 12 Update Week 19 Update Week 26 Update  
Week 6 Update Week 13 Update Week 20 Update Week 27 & 28 Update  
Week 7 Update Week 14 Update Week 21 Update 

Acts of War: Aftershock is available for preorder in print and digital from Amazon, and you can buy and read the first book in the series, Acts of War: Flashpoint, right now.

          

Buy Print – $14.99                                Preorder Print – $15.99

Buy eBook – $7.99                               Preorder eBook – $7.99

Acts of War: Aftershock – Interview

We are rapidly closing in on the release date for Acts of War: Aftershock, and this week, Mike Ryan, publications director for Privateer Press, interviewed me about writing the book. So, here’s Mike’s interview questions and my answers.


MR: How do you feel the relationship between Stryker and Magnus changes in Aftershock compared to where they were in Flashpoint?

AR: The book begins with the two of them reluctantly accepting they must be in each other’s lives (and way). Magnus has accepted his demotion to major and Stryker has done what he can to get Magnus out of his hair while still trying to get some use out of him. Stryker doesn’t trust Magnus at all, and Magnus believes Stryker is an idealist, which, in his opinion, makes for a poor leader. Not exactly a great place to build trust and cooperation, you know?

As events in the book unfold, an understanding develops between the two.  They must face facts: sometimes the other guy’s approach is the correct one. This is a bitter pill to swallow, but it does create a foundation where they can work together for the good of Cygnar.

MR: The introduction of Ashlynn d’Elyse to the novel adds a new element to the series, yet she is not exactly eager to work with our heroes. How did you approach getting into her character?

AR: Ashlynn blames Cygnar, at least in part, for the fall of Llael during Khador’s initial invasion. Though Cygnar had good reason to withdraw its forces—their own territories had become vulnerable—they left what remained of the Llaelese military in a bad way, all but assuring a Khadoran victory.

Now, Cygnar has marched back into Llael to “liberate” the country and place the long lost heir of King Rynnard di la Martyn on the throne, an, heir, mind you, that is currently betrothed to the new king of Cygnar. To Ashlynn, this simply looks like a power play, like a young king trying to expand his territory through a combination of political marriage and military strength. When the book begins, it’s difficult for her to see Stryker’s force as little more than another invading army, and, hey, who could blame her?

That’s where I started with Ashlynn. She’s angry, bitter even, that her country has become an arm-wrestling match between Khador and Cygnar. She’s been fighting tooth and nail to keep the Resistance going and kindle what hope remains to the Llaelese people. She’s seen friends and family die, had to make alliances that could prove disastrous in the future, and she’s running out of men and resources. Of all the characters in the book, she has the most to lose and few reasons to trust those claiming to be her allies. That anger drives her in a lot of ways, pushes her to keep fighting even when it seems hopeless, and our heroes have a lot to prove if they want to win her as an ally.

MR: Readers who are fans of Khador are going to be pleased to see their faction well represented in Aftershock. What are the challenges of shifting to the Khadoran point of view in a book that is focused on Cygnarans as the heroes? 

AR: The main challenge is to present them as antagonists but not necessarily villains. Khadoran leaders like Supreme Kommandant Gurvaldt Irusk and Assault Kommander Oleg Strakhov are not evil men; they’re not the monstrous inhuman horrors that run the show for Cryx or Legion. It was important to make sure they came across as soldiers first, men whose loyalty to their country is just as fierce as our Cygnaran heroes. Of course, from the Cygnaran point of view, the Khadorans take actions that are villainous or even cruel, but when we jump into the Khadoran POV, you see a different perspective, one that makes these action justified and even necessary from a Khadoran viewpoint.

MR: You clearly enjoy writing battle scenes–they are among the very best scenes in the book. How do you choreograph a big battle compared to an individual one-on-one fight?

AR: I do like writing battle scenes, especially in the Iron Kingdoms. I mean, you got multi-ton warjacks duking it out, warcaster flinging spells and steel, not to mention armies clashing in battles of truly epic scope. In other words, there’s a lot to work with.

The one-on-one duels are like chess matches, where each fighter matches wits and skill against the other, looking for the tiniest opening to exploit, or, in the case of Ashlynn d’Elyse, just straight-up owning anyone dumb enough to cross swords with her. These battles are almost always from a single POV, and the characters’ personalities, backgrounds, and, of course training dictate a how they fight. Here, I tend to get more detailed with specific techniques, weapons and armor, and how these things affect the outcome of the duel.

In a big battle, there is always an element of chaos. It might be controlled chaos, and the generals and leaders of clashing armies are certainly looking for tactical advantages to exploit, but with so many men and machines on the field, no one can see or know everything that is happening. When I write big battle scenes, I like to jump from POV to POV, both to get a varied sense of how the battle is going, and to use those quick cuts to highlight that element of chaos and the vast scope of the conflict.

MR: What was the writing process like for you in working on Aftershock? Did you find yourself re-reading Flashpoint to get back into the groove?

The first draft for this one went quicker than the first draft for Flashpoint, and I think a lot of that had to do with how much I needed to establish in the first book. Here, I hit the ground running and got right into the action, right into the meat of the overarching plot for the trilogy.

I reread Flashpoint in its entirety before I started writing Aftershock, just to get into the right headspace, and I always had a copy open while I was working on the new book. I referred to Flashpoint constantly, both as a refresher on the events that led up to Aftershock and to make sure the continuity between both books was correct.

MR: Do you have a favorite scene, a favorite moment, in Aftershock that you are particularly pleased with?

As much as I enjoyed writing the battle scenes, it’s the quieter, character-driven moments that stand out for me. There’s a number of them that come to mind, but I don’t want to give away too many spoilers, so, first, I’ll point to one that’s already spoiled. The return of Sebastian Harrow, where he slithers into the ranks of the Resistance as a spy for Irusk, is one of my favorite moments, and you can read it right here on this blog. There’s no action in this scene, but the gravity of what’s happening, and, of course, the foreshadowing is huge.

Another scene I like quite a bit is the initial meeting between Asheth Magnus, as a representative of the Cygnaran army, and Ashlynn d’Elyse. These two have actually never met in the fiction before and know each other only by reputation, so it was a lot of fun to write that historic scene. This is largely a conversation, but with two legendary warcasters and a fairly tense situation, it’s more than a little dangerous, especially for Magnus, who finds himself at a rare disadvantage.


If you have any additional questions about the book, fire away in the comments section below. I’ll answer as best I can.

If you’ve missed any of the Aftershock articles and updates for the previous weeks, you can find them right here:

Week 1 Update Week 8 Update Week 15 Update Week 22 Update 
Week 2 Update Week 9 Update Week 16 Update Week 23 Update 
Week 3 Update Week 10 Update Week 17 Update Week 24 Update  
Week 4 Update Week 11 Update Week 18 Update Week 25 Update  
Week 5 Update Week 12 Update Week 19 Update Week 26 Update  
Week 6 Update Week 13 Update Week 20 Update
Week 7 Update Week 14 Update Week 21 Update

Acts of War: Aftershock is available for preorder in print and digital from Amazon, and you can buy and read the first book in the series, Acts of War: Flashpoint, right now.

          

Buy Print – $14.99                                Preorder Print – $15.99

Buy eBook – $7.99                               Preorder eBook – $7.99

Acts of War: Aftershock – Dramatis Personae Part III

We’re twenty-five weeks into the production of Acts of War: Aftershock, and here’s part three of the who’s who and what’s what in the novel. For this final entry, I’ll be introducing some (not all) of the secondary characters in the book. These are not POV characters, but they do play important roles in the novel. The real difference between these characters and our main protagonists and antagonists is they are (mostly) of my own creation.

So, let’s get to it.

Captain Lissa Archer

Captain Archer is a young but extremely capable Storm Lance captain who serves as Lord General Stryker’s adjutant. She’s often in the thick of things, leading the Storm Lances into battle and fighting alongside her lord general. Like many in the Storm Division, she admires Stryker, but her job is also to make sure her CO doesn’t take unnecessary risks, something for which he is, uh, kind of infamous for. She’s blunt, to-the-point, and isn’t afraid to tell Stryker when he’s being an idiot, as respectfully as possible, of course.

Captain Reece Keller

I love mercenaries, and I especially love Steelheads, so with Ashlynn d’Elyse taking a prominent role in this novel, I jumped at the chance to include some of the rough-and-tumble swords for hire. Captain Reece Keller is the head of a Steelhead chapter in Ord, though he’s of Cygnaran descent. He leads nearly a thousand halberdiers and heavy cavalry in the employ of Marshal d’Elyse, and in many ways serves her as an unofficial military advisor (something her actual military advisors aren’t too keen on). He’s a veteran merc with a personality that might be described as charming or grating, depending on who you talk to.

Swift Sergeant Isaac Dane

One of the senior-most field agents for the CRS (Cygnaran Reconnaissance Service), Swift Sergeant Dane is a ranger who has refused promotion to stay active in the field. There are few in the CRS with his degree of field craft, and he excels at reconnaissance missions or hit-and-run style guerilla combat. He is assigned to Major Asheth Magnus primarily to keep an eye on the veteran warcaster and to report to Lord General Stryker if Magnus strays too far from mission parameters. He is a stoic and professional soldier who takes his duty to king and country very seriously. As you might imagine, Magnus is not exactly thrilled to have Swift Sergeant Dane on his staff.

Lieutenant Shamus Brigland

A former pirate who served on the infamous Calamitas under the even more infamous warcaster and privateer Captain Bartolo Montador, Lieutenant Brigand took up with Asheth Magnus when the exiled warcaster worked as a mercenary. When Magnus was pardoned and rejoined the Cygnaran military, Brigland followed and received the rank of lieutenant in the Trencher Corps. He is devoted to Magnus but has eagerly taken to his new life as a soldier, seeing it as a fresh start and a way to remake himself as a legitimate warrior after a less-than-legitimate history. As one might expect of a former pirate, Brigland is crass, uncultured, and he’s not exactly a “rule follower,” all traits Magnus finds useful.

Specialist William Harcourt

A field mechanik in the Cygnaran Army, Specialist William Harcourt has only recently joined the Storm Division and has very little combat experience. He is a gifted mechanik, however, and displays an affinity with warjacks that borders on the supernatural. He comes to Lord General Stryker’s attention by demonstrating that affinity with Ol’ Rowdy, Stryker’s infamously cantankerous Ironclad. Harcourt becomes Rowdy’s dedicated mechanik and is thrust into battle alongside the warjack so that he can perform repairs in the field. Harcourt is unsure of himself, but Stryker sees his worth and attempts to bolster the young man’s courage and confidence by testing his mettle in the crucible of battle. If you’ve been following these updates, you know Specialist Harcourt is, uh, even more special than his rank suggests. 😉

Crash & Soldier

Crash and Soldier are a pair of ancient warjacks that have fought alongside Marshal Ashlynn d’Elyse for many years. The two Mules have logged nearly a century of combat time, and as old warjacks are prone to do, have picked up a number of personality quirks. Crash is so named for its habit of charging into combat, eschewing its battle mace in favor of using its own multi-ton body as a battering ram. Soldier has adopted many of the traits of the professional fighting men and women it has served alongside for decades. It generally requests permission from Ashlynn before engaging in any military task, often performing a crisp salute with its mace before charging off to destroy the enemy. Like Stryker and many other warcasters, Ashlynn has developed a close bond with Crash and Soldier and treats them more like the human men and women under her command than expendable machines.

Corporal Horgrum Stonebrow & Sergeant Victor Sharp

One of the first Trencher Express Teams, the duo of trollkin sniper Horgrum Oakheart and his spotter and CO Sergeant Victor Sharp provided ample proof that the new units could be incredibly effective in the field. Horgrum and Sharp were assigned to the Storm Division shortly before Cygnar’s invasion of Llael to bolster Stryker’s reconnaissance efforts. In the past, the pair have worked at counter-sniper operations, though they are excellent scouts as well. Horgrum has been a part of the Cygnaran military for nearly two years and is still unused to the culture and customs of his human brothers in arms. Much to Sergeant Sharp’s chagrin, Horgrum often speaks when he shouldn’t and rarely acknowledges proper military protocol. Despite all this, the trollkin’s fearsome skill with his weapon more than makes up for his lack of decorum.


If you have a question or comment about the book or my writing process, ask away in the comments section below. And if you’ve missed the updates for the previous weeks, you can find them right here:

Week 1 Update Week 9 Update Week 17 Update
Week 2 Update Week 10 Update Week 18 Update
Week 3 Update Week 11 Update Week 19 Update
Week 4 Update Week 12 Update Week 20 Update
Week 5 Update Week 13 Update Week 21 Update
Week 6 Update Week 14 Update Week 22 Update 
Week 7 Update Week 15 Update Week 23 Update 
Week 8 Update Week 16 Update Week 24 Update 

Acts of War: Aftershock is available for preorder in print and digital from Amazon, and you can buy and read the first book in the series, Acts of War: Flashpoint, right now.

          

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