Submission Statement: October 2019

Finally getting one of these out in a timely manner. Here are my submission endeavors (and results) from October.

October 2019 Report Card

  • Submissions Sent: 6
  • Rejections: 8
  • Acceptances: 1
  • Publications: 1

I’m still behind on my goal to reach 100 subs for the year. I’m sitting at 69 at the moment, which means I need to slam out 15 subs in November and December to hit 100. I think that’s pretty unlikely at this point, and I’ll end up somewhere in the high eighties (maybe). With 14 acceptances, I’m still within striking distance of last year’s number of 19, so it’d be nice to hit or exceed that, even if I don’t reach 100 total subs.

Rejections

Eight rejections this month.

  • Standard Form Rejections: 5
  • Upper-Tier Form Rejections: 2
  • Personal Rejections: 1
  • No-Response Rejection: 1

Mostly form rejection in October, with one rare no-response rejection. The personal rejection was a shortlist rejection and is worth taking a look at. See below:

Spotlight Rejection

This is one of those useful rejections that can sometimes highlight the idea that “good stories get rejected too.”

Dear Aeryn,

[story title] made it through to our final round of consideration, but unfortunately it was not a good fit for us at this time.  We wish you the best of luck in finding a home for it elsewhere.

Thank you for thinking of us at [publisher]. We hope you’ll consider sending us more of your stories in the future.

This was a shortlist rejection, the story’s third. I know this one will eventually get published, but I just have to find the right fit. I know “right fit” can seem like a platitude, but I think it is one of the most common reason stories get rejected, especially good ones. It could be a wrong fit for the issue, the market, or they’ve simply published something similar recently. Hell, it could also be that you’re good story was passed over for better ones. Sometimes the competition is fierce. So, if you get a shortlist rejection like this, send that story out again right away (I did).

Acceptances

One acceptance this month, and it was a good one. Here’s the acceptance letter. You’ll note I’m revealing the publisher here. That’s simply because I asked and received permission from the publisher to announce the sale.

Thank you for sending us “The Back-Off”. The editors were impressed with the story, and we are pleased to offer to purchase the rights to use your work in an upcoming issue of On Spec Magazine. If the work is still available, kindly let us know with a brief note to [email address].

You will be sent a standard contract offer in due course, and we’ll let you know the next steps in the process.

I’ll be straight with you. I didn’t expect this acceptance. I mean, I don’t usually expect an acceptance, but there are certainly times when I feel I’ve got a better shot than other. Here, I thought I had no shot. And that, friends, is why you should never, ever, ever self-reject, no matter how much you think a market won’t be interested in your work. Send it anyway because you never know. Anyway, this story had been rejected a fair amount, but it kept getting these nice personal rejections. The problem generally was the story wasn’t horror enough for the horror markets or fantasy enough for the fantasy markets, so I finally got wise and sent it somewhere that published speculative fiction in a broad sense. That, uh, worked. 🙂

Publications

One publication this month from one of my favorite markets, The Arcanist. The story, “Small Evil,” took second place in their Monster Flash contest, and you can read (or listen to) it below:


And that was my October. Tell me about yours.

Submission Spotlight: Reprints

This is the first in a new series of posts that will, highlight or, uh, spotlight parts of submission guidelines that might be unexpected if you’ve just started submitting your work. Even if you’re an old hand at the submission game, these are an excellent reminder of why you must always read the guidelines completely and thoroughly. So, let’s kick things off with one of my favorite submission subjects: reprints.

Reprints are a great way to get extra mileage, dollars, and exposure out of your published works, but you don’t want to simply trust that your reprint story is appropriate for a market just because, for example, Duotrope or The Submission Grinder says the publisher accepts them. In my experience reprints come with a lot of caveats and exceptions that range from what a market actually considers a reprint to what kinds of reprints they want or prioritize. Here are some things to be aware of when considered a market for a reprint (or making sure your story isn’t an accidental reprint).

1) What is a reprint? Generally it’s a story you’ve previously published, to which the rights have returned to you, and which you can submit again to a publisher that accepts reprints. Where things get tricky is how a market defines “published.” For example:

No reprints unless specifically requested by us. Keep in mind that this includes publishing a story on your website or blog. 

It’s that last sentence that’s the issue and what can create something I call the accidental reprint. Many editors consider a story published on a personal blog, website, or even something with an exclusive membership like a Patreon, to be a reprint. That can get you into trouble with a market like the one above that doesn’t accept reprints. So, if you plan to publish your work on your blog or for your Patreon supporters, just remember it’ll reduce your ability to submit that story as an original.

2) Some markets love reprints. If you plan to send out reprints, look for and remember markets that encourage them. These are generally going to be audio markets who don’t see a story previously published in print as an issue since they’re doing a completely different medium for what is often a completely different audience. So you might see this:

Reprints are welcome and strongly encouraged. We are happy to consider stories previously released on Patreon as reprints.

This audio market even welcomes Patreon reprints. So if you’re planning on submitting reprints, start with the audio markets. Many, like the one above, not only accept them but actively encourage them.

3) Sometimes publishers take reprints only if the story has been published by certain types of markets. This one is rare, but when I’ve seen it the market is usually looking for reprints stories originally published in professional-level markets. Like this:

Only stories from established print markets, including magazines, short story collections, and anthologies, from the past two years, which would cover January 2017 onwards, will be considered.

I’d take this to mean pro markets that also publish in print (there might be a few semi-pro that this bill, though) and have been around for at least a couple of years. The time frame of publication is an extra requirement and another good example of why you should always, always, always read the guidelines thoroughly.

4) Some markets prioritize or de-prioritize reprints published in certain mediums. This is one isn’t super common, and it’s likely to be part of audio market submission guidelines. It might look like this:

Stories can appear elsewhere. Previously published or performed stories are fine, as long as you hold the rights to grant usage to [publisher]. However, stories which have not already previously appeared in audio form will have priority.

This is one that can crop up if you sell a story first to an audio market and then want to sell it as a reprint. Not that that shouldn’t discourage you from submitting your originals to great audio markets like PseudoPod, EscapePod, and others, but it’s something to be aware of.

5) Reprints pay less. If you’re going to submit reprints, this is just a fact of life. Even markets that encourage reprints will often pay less for them, and you’re bound to see something like the following in the guidelines:

We pay $.08/word USD for original fiction 6,000 words or less, $100 flat rate for reprints over 1,500 words, and $20 flat rate for flash fiction reprints (stories below 1,500 words).

You might be asking are there markets that pay the same for reprints and originals? There are, but it’s rare, and in my experience these will be anthologies rather than magazines or online zines.


These are some of the wrinkles and unexpected hitches you might find in reprint guidelines. There are certainly others, but these are the ones I’ve encountered the most. It’s important to remember, though, that submission guidelines often come with little exceptions and caveats, which is why I implore you to read them completely and carefully before EVERY submission.

Know of any other reprint guidelines to keep an eye out for? Tell me about them in the comments.

Acceptomancy?

I assume you’re all quite familiar with the term rejectomancy (or at least how I interpret it). I’ve spent years and a slightly embarrassing number of blog posts talking about what rejections mean, but what about acceptances? What if we turned our overly optimistic, high-powered literary microscopes on the yeses rather than the nos? Is acceptomancy a thing? Let’s talk about it.

Sure, if you get an acceptance for a story, then, uh, that market likes that story. Two points for Captain Obvious, right? But let’s dive deeper. What else can an acceptance tell you? Here’s three things they’ve told me.

  1. It’s often about timing. This is one of the best things about an acceptance. If you have a story that’s been rejected a bunch, and you finally get that acceptance, it validates the theory that publishing is all about right story + right market/editor + right time. I’ve had multiple pieces published after double digit rejections, some at pro markets, and I often haven’t changed a thing about the story. These acceptances have taught me to hang in there on a story even if it doesn’t land the first, second, or, um, the sixteenth try.
  2. Oh, so that’s what they want. I recently cracked a market after they’d rejected me ten times in a row. I sent them flash fiction, short stories, horror stories, fantasy stories, the works. Then, after ten nos I got a surprise yes on a story I didn’t think had a chance in hell. Of course I was thrilled to get the yes, but I also wanted to publish again with this market, so I took a very close look at the story they accepted, noting the style and tone, and sent them more of the same. I haven’t received another acceptance from them, but the next three rejections where either personal or short list rejections (I’d only received form letters before). Yeah, it’s kind of obvious, but an acceptance tells you pretty much exactly the kind of story the market wants, a discovery made even more profound after a bunch of rejections.
  3. Maybe this idea isn’t total shit. My most recent acceptance is an important one. It not only hits the first two points I mentioned, but it was one of the more validating acceptances I’ve received in a while. You see, I’ve been writing a lot of genre mashups, mostly a mix of horror, urban fantasy, and crime/noir stuff. I’d been getting really positive rejections on these stories, but they were all “not quite right for us.” They were either too horror for the fantasy markets or two fantasy for the horror markets. I started to think maybe this combo of genre, style, and tone was a dead end. Then I got an acceptance for one of those stories from a very tough market. I was shocked, eccastatic, sure, but shocked. So, sometimes an acceptance can be validating for more than “Hey, I’m good enough to get published.” It can be validating for “Hey, this crazy genre/style mashup might actually be marketable.”

Thoughts on acceptomancy? What have acceptances revealed to you? Tell me about it in the comments.

Submission Statement: July-September 2019

Getting caught up on these submission statements. Here’s my submission activity for the last three months.

July/August/September 2019 Report Card

  • Submissions Sent: 16
  • Rejections: 10
  • Acceptances: 6
  • Publications: 3
  • Submission Withdrawal: 0

This averages out to about 5 submissions per month, which is far less than I’d hoped to send. Six acceptances is certainly nice for a three-month span, and the number of rejections is about what I’d expect (though I did experience a 32-day stretch of no rejections). I’m sitting on 66 submissions as I write this, which means I need roughly 11 submissions for the next three months to hit my goal. That might be tough, but we’ll give it the ol’ college try and see what happens.

Rejections

Ten rejections for this period.

  • Standard Form Rejections: 8
  • Upper-Tier Form Rejections: 0
  • Personal Rejections: 2

Mostly your standard form rejections of late, though the two personal rejections provided good feedback. I’ll go over some of that feedback below.

Spotlight Rejection

This is a rejection for a flash fiction story that I think perfectly illustrates where some flash stories (including mine, obviously) go wrong.

We found the premise interesting and liked the characterization a lot. However, we there’s a lot more to this story that we’re not seeing. There’s so much action that is going to happen after the story ends it feels like we’re being cut off before we get to the good stuff. (The good stuff in this case being children getting turned into snacks lol,) And for Anton the driving motivation is never shown in scene- the bullying happens before the story starts – which made his emotions seem a bit remote to me. This makes the story read more like a part of a larger whole than like a complete story on its own. 

This feedback points out a common flaw in a lot of flash fiction. Essentially, we’re getting the middle of a longer tale. Therefore, the story is ultimately unsatisfying because it ends before we get to the good stuff. You can fall in love with a premise or characterization–as I did here–and not see the forest for the trees. So based on this feedback (which is spot-on), I’ll revise this story, make it longer, and write that first and third acts.

Acceptances

Six acceptances in the last four months: three flash fiction acceptances and three microfiction acceptances. Not too bad. I’m getting to the point where I have enough flash fiction publications to put together a respectable anthology. I should really do that one of these days. 🙂

Publications

I had a fair amount of publications in the last three months as stories accepted as far back as last year are finally getting published alongside more recent acceptances. The first three are free to read, and the last one is chapbook for sale by the publisher.

“The Thing That Came With the Storm” published by the Molotov Cocktail

“The Grove” published by The Molotov Cocktail

“Ditchers” published by Aphotic Realm

A Point of Honor published by Radix Media

The United States has instituted archaic dueling codes overseen by a government agency called the Bureau of Honorable Affairs. Victims of slander and libel, among other crimes, can force their tormentors to face them in state-sanctioned combat. Jacob Mayweather is challenged to a duel by a man he has never met. The accusation is for a considerable crime, and Jacob must choose whether he will fight or be blacklisted as a duel dodger.

 

 


And that was my, uh, third quarter. Tell me about yours.

Weeks of Writing: 9/9/19 to 9/22/19

A couple weeks of writing and whatnot to report.

Words to Write By

One of my favorite authors, Stephen King, recently had a birthday, so today’s quote is one of his.

“When you write a book, you spend day after day scanning and identifying the trees. When you’re done, you have to step back and look at the forest.”

― Stephen King

I can certainly relate to this having just finished a novel. While you’re writing it’s all details, details, details, and it’s pretty easy to lose the big picture narrative if you’re not careful. In each revision–I did four–I tried to step further back and see if all the little detailed pieces I wrote made up a cohesive whole. I think I got a better picture of the forest, so to speak, with each revision, and the book felt more finished with each one. So, here’s hoping I could see that forest despite all the trees I kept planting to block my view. 🙂

The Novel

No much to report here. The manuscript is with my agent, and I don’t expect to hear back for a bit. I know this part of the process is not quick, and I need to be patient. Luckily, I have plenty of other project to fill my time, including a novella I owe Privateer Press and a little self-publishing project I’ll share in the near future.

Short Stories

I’ve been better with submissions over the last couple of weeks, but I still need to pick up the pace.

  • Submissions Sent: 5
  • Rejections: 0
  • Acceptances: 0
  • Publications: 0
  • Shortlist: 0

Five subs in two weeks is solid, and I’ll have more going out this week. That five puts me at 62 for the year, which is still off my pace for 100. Gonna have to bring it in the last three months if I want to hit that goal. Here’s a weird thing–I haven’t received a rejection in over a month. I feel like that dam is about to burst any minute.

The Blog

I blogged a bit more over the last couple weeks. Here are the highlights.

9/18/19: Submissions: The Genre Wasteland

In this post I talk about the dearth of markets for genres outside of my usual literary stomping grounds.

9/20/19: Submission Strategy: Ranking Response Times

Here I discuss a submission strategy based around how quickly (or slowly) a publisher might respond.

Goals

The big goal is to get at least halfway on the first draft of the Privateer Press novella, about 10,000 words. After that, it’s all about the submissions, and I’d like to get another five for the month.


That was my week(s). How was/were yours?

Weeks of Writing: 8/19/19 to 9/8/18

Way, way behind on these things. Time to catch up.

Words to Write By

This week’s quote comes from Amy Poehler.

“Most authors liken the struggle of writing to something mighty and macho, like wrestling a bear. Writing a book is nothing like that. It is a small, slow crawl to the finish line. Honestly, I have moments when I don’t even care if anyone reads this book. I just want to finish it.”

– Amy Poehler

Though I have never heard likened writing to wrestling a bear, I’ve certainly heard it described with as much hyperbole. Amy Poehler’s second and third sentence are what really resonate with me, though. The slow crawl to the finish line has definitely been my experience, and I have absolutely gotten to the point where finishing the book became an all-consuming need that eclipsed any thoughts or dreams of publishing the damn thing.

The Novel

Well, the revision is done, and the manuscript has been sent back to my agent. Hopefully, the next step is he begins shopping the book, and then, if the writing gods smile on me, some publisher will actually want to buy it. A lot of folks ask me how I feel about the book, and it’s a complicated answer. I’ll see if I can sum up with three yes or no questions.

  1. Is it better? Yes, undoubtedly. Notes from my agent and critique partners helped me shape the story and characters into something more compelling. It also feels more finished, like a complete product now.
  2. Is it done? Yes, for now. I think I’ve done what I can do with it. If a publisher decides to buy it, there will undoubtedly be further revisions, and I am a-okay with that.
  3. Is it good enough? No idea. As hard as it is for this impostor-syndrome-inflicted writer to admit, I think the book is “good.” I think my premise is different and my approach to a well-travelled trope is unique enough to get a reader’s attention. But is it good enough for a publisher to offer me a book contract? I just don’t know, and like any short story submission, I’m gonna have to wait and see.

Short Stories

With my focus on the novel, I haven’t sent nearly as many submissions as I should have over the last three weeks.

  • Submissions Sent: 1
  • Rejections: 2
  • Acceptances: 1
  • Publications: 2
  • Shortlist: 0

Just one submissions sent in the last three weeks, though I did score an acceptance and a couple of stories were published. I’m currently sitting on 57 submissions for the year, which means I need to send out around 11 subs per month from here on out to hit 100 subs for the year. I can do it, but I’m gonna need to bust my ass and write some new material.

The Blog

Two blog posts over the last three weeks.

8/19/19: A Week of Writing: 8/12/19 to 8/18/19

The usual weekly writing update.

8/29/19: Proofing Checklist: Just Nod & Smile

Another entry in my proofing checklist, this one covers overused body language and nonverbal cues.

Publications

I had two pieces of flash fiction published in the last few weeks. Both are free to read, and you can check ’em out by clicking the links below.

“The Grove” published by The Molotov Cocktail

“Ditchers” published by Aphotic Realm

Goals

For the first time in a long time, the novel will not be one of my goals for the coming week. Instead. I need to finish a novella outline for Privateer Press, get my ass in gear with short story submissions, and work on a surprise project I’m very excited about and can’t wait to share with you all. 🙂


That was my week(s). How was/were yours?

A Week of Writing: 7/29/19 to 8/4/19

Another week, another bunch of words in roughly the shape of novels and stories and stuff.

Words to Write By

This week’s quote comes from Salvador Dali.

“Have no fear of perfection – you’ll never reach it.”

― Salvador Dali

It’s been said that perfection is the enemy of done (or something like that), and in my experience that is very true. I find you have to give up the pursuit of perfection at some point, and you must be able to step back and say, “good enough,” and get that story submitted or put that novel in the hands of your agent. Right now I’m steaming toward done on my novel, and though I will put it back in the hands of my agent before the end of the month, I have no illusions it will be perfect. I’ll be happy with finished, and I believe (and hope a little) that it’s good.

The Novel

As I mentioned above, I’m getting close. I started what will be the last revision pass on the book. I’ve made changes and added all the new material based on notes form first readers and my agent, and now it’s just a matter of cleaning it up and making a few more small changes. It’s time. I’ve done the work. I’ve slaved over the thing for what feels like too long, and I need to get it out in the world and find out if it’s good enough. My general feeling after reading it for what has to be the 100th time is that it is a good book. Good enough? We’ll see.

Short Stories

Not fantastic, but this is an improvement over the last couple of weeks.

  • Submissions Sent: 2
  • Rejections: 1
  • Acceptances: 0
  • Publications: 0
  • Shortlist: 0

Two submissions is a start, but I need a good 8 to 10 more by month’s end to catch up. I’ll submit one or two flash pieces this week to The Molotov Cocktail’s WildFlash contest and then at least one to The Arcanist’s monster contest. The rejection is from a pro market I’ve been trying to crack for years. This marks my 15th rejection from the market, and maybe I should I give up, but I’ve cracked markets after a dozen rejections, so why not fifteen? 🙂

The Blog

Just the one blog post last week. I promised I’ll have some a bit meatier than a writing update this week.

7/31/19: A Week of Writing: 7/22/19 to 7/28/19

The usual weekly writing update.

Goals

I’ve been making good progress on this last revision on the novel, and my primary goal is just to keep pushing on that. Short story submissions will also happen.

Publications

I’m a little late with this, but I did have another story published with The Molotov Cocktail. The story is called “The Thing That Came With the Storm.” You can read it for free by clicking the link below. (God, I love Molotov’s issue covers.)

“The Thing That Came With the Storm”


That was my week. How was yours?