One-Hour Flash Success Stories

If you’ve followed this blog for any length of time, then you might have seen a series of posts called One-Hour Flash. These are flash fiction stories I’ve written in one hour as part of a writing exercise. The basic gist is that you get a prompt and then try to bang out the best story you can on that prompt in one hour. It’s a great little exercise/contest to do with your (closed) writing group, as it really forces you out of your comfort zone (always good for a writer). The One-Hour Flash series on this blog features stories that weren’t good enough (in my opinion) to submit to publishers. I could call them Flash Failures, but I try not to be too negative. So, have I ever actually published any of these one-hour flash stories? Yes I have.

The latest one-hour flash story to be published went live this morning. It’s called “Simulacra” and you can read it right now over at Ellipsis Zine. 

“Simulacra” is my twenty-third publication (acceptance) of a story that began life as a one-hour flash piece. Here’s the rest, with links to read some if you are so inclined.

Title Publisher Length
A Man of Many Hats The Molotov Cocktail Flash
An Incident on Dover Street The Molotov Cocktail Flash
At the Seams The Molotov Cocktail Flash
Beyond the Block The Molotov Cocktail Flash
Big Problems Havok Magzine Flash
Caroline Red Sun Magazine Short Story
Cowtown The Arcanist Flash
Little Sister The Molotov Cocktail Flash
Luck Be a Bullet* Spinetingler Mag Short Story
Masks The Molotov Cocktail Flash
New Arrivals Havok Magzine Flash
Night Walk The Molotov Cocktail Flash
One Last Spell, My Love Allegory Short Story
Paper Cut Red Sun Magazine Short Story
Reunion The Arcanist Flash
Scare Tactics* Flame Tree Publishing Short Story
Shadow Can The Molotov Cocktail Flash
Side Effects The Molotov Cocktail Flash
Simulacra Ellipsis Zine Flash
The Father of Terror The Molotov Cocktail Flash
The Rarest Cut Evil Girlfriend Media Flash
The Sitting Room The Molotov Cocktail Flash
Where They Belong DarkFuse Magazine Flash

*Forthcoming

As you can see, The Molotov Cocktail has been very good to me, and many of these stories have placed in their various themed contests. Most of the stories I kept as flash fiction with a little (or a lot) of revision and polish. A few, though, I expanded into longer pieces, and one of them, “Scare Tactics,” is on it’s third publication.

So, what am I trying to say with all this other than showing off a bunch of publications? Basically, when you force yourself to write outside of your comfort zone (by setting a clock), you are likely to write something you normally wouldn’t out of sheer desperation and less likely fall back on concepts and tropes you might overuse. I know that’s the case for me. Of course, you can get out of your comfort zone in a lot of ways. Putting yourself on a clock and writing to a random prompt is just one way to do it. Still, I urge you to give the one-hour flash challenge a try and see where it takes you.

One-Hour Flash – Fuel for the Fire

Time to dust off another also-ran from the one-hour flash files. As usual, this is a story written in one hour based on a photo prompt for a contest/exercise. The time stamp on Word says I wrote this one in September of 2013. What you see below is more or less what I came up with in an hour five years ago, though I did clean it up a tad.

Today’s story is called “Fuel for the Fire.”


Fuel for the Fire

Pixabay

Ashton had seen his share of forest fires, but he and the ten other volunteer firefighters from Chico, California had never seen anything like this. They had come prepared to meet the blaze on the edge of the Plumas National Forest with the same skill and devotion they’d brought to every job, but this fire did not fit the bill.

The flames were bright green, and they gave off no detectable heat. The trees and undergrowth within the inferno still burned, however, and smoke roiled up into the night sky. Weirder still, the fire didn’t appear to be spreading. Ashton had never see a fire do that; usually it devoured every burnable thing in its path, quick and unpredictable. This fire seemed content to burn only the thirty or so acres of Trees on the edge of Plumas. Hell, you could even see exactly where it stopped. The trees and bushes were green and wet with dew right up to the edge of those crazy green flames and everything beyond was a burning ruin.

“What the fuck is that?” Daniels said. “Why is it green?”

Ashton pushed up the visor on his helmet and took a couple steps forward. “I don’t know. Copper makes a green flame, but there’s nothing like that in the ground around here.”

“I don’t care if it’s pink with polka dots,” Captain Mike wells said from behind Ashton. He was the ranking man at the Chico station. “You still got a job to do.”

“Yeah, but Mike, this ain’t fuckin’ normal,” Daniels said. He was the youngest guy on the squad and had a knack for pissing off the captain, usually by using his first name instead of his rank. “We gotta call someone. We—“

“I said get to work!” The captain stood six and half feet tall, and his voice carried like a drill sergeant when he wanted it to. “That fire is close enough to town we need to stop it right fucking now. Understood?”

“Yes, sir.” Daniels moved up to stand next to Ashton. “Fuckin’ prick,” he said under his breath. “This could be some kind of alien shit, and all Captain Hard-Ass wants to do is put it out so he can get back to his Maker’s Mark.”

“Alien shit or not, the captain’s gonna kick both our asses if we don’t hop to,” Ashton said. “Come on.”

They approached the fire and Ashton saw the flames were getting higher. They still weren’t spreading, but they appeared to be reaching upward. He had his axe in hand as did Daniels. It was standard procedure to fight a wildfire with both direct and indirect methods. Ashton and Daniels were in charge of the indirect; they would create control lines around the blaze, areas with no combustible material. That means clearing brush and even chopping down trees if it came to it. Behind them, the rest of Chico’s small fire team worked on the direct method, a chemical quenching agent sprayed through hoses to smother the fire.

They were near the boundary of the burned and unburned, and Ashton still felt no heat. Normally, this close, you’d be roasting in your suit, marinating in your own sweat. This fire was cool as could be.

“Look at the smoke, man,” Daniels said, staring up, his axe dangling in his hands.

Ashton looked up and for the first time he was afraid. The smoke should be streaming up in a single huge plume. That’s what smoke did. The smoke coming off this fire went up in dozens of individual streamers of gossamer black, and they didn’t go straight up. They whirled around, darting and surging against the wind.

“That’s not right . . .” Ashton trailed off because he was close enough to really see into the depths of the green conflagration. The trees and other things weren’t really burning; they were withering, as if the fire just sucked the life out of them.

“We need to go,” Ashton said, slowly backpedaling. “Right now.”

Daniels had his iPhone out and as was taking pictures of the weird smoke. “Why?” he said. “I want to put this on Instagram—“

One of the smoke streamers darted out of the sky, and cold nails of horror raked Ashton’s insides. The streamer gained shape and solidity as it came down, and then it enveloping Daniels. He screamed and dropped his iPhone, batting at the writhing black smoke with his axe.

Daniels turned, and Ashton saw his face, saw the skin blacken and sink in on itself, exposing the pale white bone beneath. Daniels toppled over and a tendril of fire leaped from the main blaze and covered him, extending the wild fire’s boundary by about five feet.

More smoke streamers came out of the black sky, and Ashton ran. He had always been fast, but he still expected one of those smoke things to catch him and suck the life from his body. His desperate sprint carried him past other members of the crew, and they simply stared at him as he ran by. He didn’t have time to warn them.

He passed Captain Wells and finally glanced back. The captain opened his mouth to yell something at Ashton, but one of the streamers came slashing down out of the night and wrapped around him in a cloak of inky black. He captain screamed, hoarse and guttural, and Ashton saw other men taken by the smoke behind him.

Ashton turned and put his head down, focused all his energy on running, getting away. But he saw the blaze surge forward, a looming verdigris wall, to cover the men entangled in smoke.

The fire grew.


Unlike the most of the other stories in this series, I did actually send this one out for submission a few times. The feedback I received from one publication was spot on. Basically, this isn’t a full story. It reads like the beginning of a story, possibly the middle, or as one bit of feedback suggested, an excerpt from a novel. I do like the idea here, and at some point I may turn it into something longer with a beginning and an ending. Until then, it’s a vignette with a bad case of premise-itis. 🙂

Check out the previous installments in the One-Hour Flash series.

A Week of Writing: 4/9/18 to 4/15/18

One more week in the books. One more week of progress. One more week of writing.

The Novel

After less than ideal production the week before, I accomplished something resembling a respectable pace last week. Not where I wanted to be, but not bad. The good news is I passed 60,000 words, and I’m barreling toward the third act. I figure there’s probably between 25,000 and 30,000 words left to write (maybe a bit less). A first draft at the end of the month or early next is a distinct possibility.

Date Day Words Written
4/9/2018 Monday 0
4/10/2018 Tuesday 2515
4/11/2018 Wednesday 788
4/12/2018 Thursday 0
4/13/2018 Friday 1712
4/14/2018 Saturday
4/15/2018 Sunday 1074

Another 6,089 words added to the tally. Not the 10,000 I was hoping for, but not bad. This week, I’ll once again set my sights high and see where I end up.

Short Stories

I worked on short stories quite a bit last week, and I heavily revised two old trunk stories I think might have a shot at publication now. I also narrowed down which of my half-complete stories I want to finish next. It’s a historical fantasy piece set in Imperial Rome called (tentatively) “Wild Things.” It’s been percolating for a couple of years, and I think I know where to go with it now.

Submissions

A little light on submissions last week. I have some new stories making the rounds, though, so I expect that to pick up this week.

  • Submissions Sent: 2
  • Rejections: 1
  • Acceptances: 0
  • Publications: 1

I currently have fourteen (14) submissions under consideration. As I keep saying, a couple of these are getting very long in the tooth, so I expect to hear back soon. I also have a story shortlisted I should hear a yea or nay on soon (fingers crossed). The story I was excited about in the last update, “Teeth of the Lion Man,” has already received two rejections from two of my go-to markets, but it’ll go out again this week.

Publications

A new category this week because, well, I actually have something to put into it. My urban fantasy flash fiction story “New Arrivals” was published in the April issue of Havok. You can check out the issue below.

The Blog

Another new category, and this one is kind of an “Oh, duh.” I managed three blog posts last week on Rejectomancy, which, for me, is ideal output. If you’d like to catch up, just click the links below.

4/9/18: A Week of Writing: 4/2/18 to 4/8/18

Yep, my writing update for that week. Pretty self explanatory.

4/11/18: Back to Basics: The Cover Letter

I went back to this well traveled subject and broke down my basic cover letter into its component parts. Some dos and don’ts about cover letters and a very simple example you have my blessing to steal outright. 🙂

4/13/18: Ranks of the Rejected: Avily Jerome (Havok Magazine)

This was a good one. I interviewed Avily Jerome, the editor of Havok, and she had lots of great advice for writers and rejectomancers.

Goals

This week it’s more work on the novel, and I’d like to hit 10,000 words. I’ll send out more submissions (probably get more rejections too), as I march toward a goal of 100 submission for the year. I finished the outline for the game design project last week and turned it in. The editor liked it, and gave me the green light to start writing. The deadline is a comfortable two months away, but I’ll start in on it this week.

Story Spotlight

This week its one of my weirder stories and the first story I published with The Molotov Cocktail. It’s called “At the Seams,” and it’s about falling apart. Literally. 🙂

Read “At the Seams

Ranks of the Rejected: Avily Jerome (Havok Magazine)

Today it is my privilege to present an interview with Avily Jerome, the editor for Havok magazine. Avily is an accomplished editor and writer, and she has great advice for authors who want to publish in Havok (or publish in general). She also knows a thing or two about rejection and how to deal with the inevitable reality of “not for us.” My own association with Havok is pretty simple. They’ve published two of my stories, including one in the issue releasing today, which means I’ve twice had the pleasure of working directly with Avily and the rest of the Havok team.

Make sure to check out the latest from Havok, including the April issue, and the guidelines for the annual contest issue Rampage! Monsters vs. Robots, coming in July (more info on that below).

    


1) Tell us what Havok Magazine publishes in 50 words or less.

Havok publishes speculative flash fiction. 1000 words or fewer, in a variety of speculative genres. We’ve done everything from steampunk to dinosaurs to straight sci-fi, and everything in between, including some pretty spectacular mash-ups. Content-wise, we’re family-friendly, so no excessive violence, language, or sensuality.

2) How do you come up with Havok’s themes? What are some of your favorite past themes?

Every year we have a brainstorming session with Splickety (our parent company) staff members and throw around ideas until we find the ones we like. We try not to do anything too similar to something we’ve done in the recent past, and we try to make the themes broad enough that multiple genres can fit within the same theme.

Favorite themes… that’s a tough one. I love our Halloween horror issues. Some of my personal favorite stories have been in the horror issues. The Dinosaurs issue was a lot of fun. Probably one of my top picks is our Literary Mutations issue, where we made classic stories into speculative stories.

3) Since Havok publishes flash fiction, in your opinion, what are the benefits and challenges of writing at 1,000 words or fewer?

One of the best benefits for writers is that it really tightens your writing. You have to decide which information is vital and which is extraneous. You have to cut out every bit of fluff and every unnecessary word.

One of the biggest challenges is fitting a full story arc and creating compelling characters in such a short amount of space.

4) What advice can you give writers submitting to Havok? Which stories have the best chance at publication?

We accept stories up to 1000 words, but I only have room for two or maybe three 1000-words stories per issue. Most of the stories I publish are about 700 words, so if you can stick to 700 words or fewer, your odds are better.

As for story itself, if you can make me feel, whether it’s humor, sadness, love, nostalgia—you have a higher probability of catching my attention. I also love twist endings, complex world building (although again, this is hard to do in a flash story), and hard choices.

 5) Take us behind the scenes. Describe Havok’s evaluation process for a story.

I have a pretty multi-faceted process for choosing stories. First, of course, I look for writing quality and story arc. Even if the story is one I like, if the writing is poor, or if it’s going to take too much effort on my part to edit it and get it ready for publication, then I’m probably going to pass on it. Conversely, if the writing is clean and flows but the story isn’t engaging, then I’m not going to try to work with it.

Most of the submissions I receive fit these criteria, so after I’ve narrowed it down a bit, I look for several different components. Story arc is a big one for me. I’m okay with open endings, as long as there is some resolution and some emotional satisfaction for the reader. Too often, I read stories that feel like prologues. It’s okay if it’s part of a bigger world, but the story has to be self-contained. Along the same lines, the world can’t be too big or require too much explanation, and there can’t be too many or too complex of characters. I don’t want to be pulled out of the story or feel like it ended too soon because there were too many unanswered questions or because I couldn’t keep track of all the characters.

Beyond that, there’s some personal preference involved, and there’s also what does or doesn’t fit within the rest of the issue. If a story is too similar to either the staff feature or the featured author, I’ll pass on it because I want to have a variety. I also try to have a mix of dark and light, so if I have a really good story that’s tragic or violent, I’ll try to balance with one that’s humorous, and so on.

6) Well, this blog is called Rejectomancy, so I gotta ask. What are the top three reasons Havok rejects a story?

Top reason—I just don’t have room to publish all the fantastic stories I receive. #2, it doesn’t fit with our submission guidelines for either word count, theme, or content, and #3, the story is flat and doesn’t hold my interest.

7) You’re an accomplished writer as well as an editor, so you understand  rejection comes with the territory. Any pro tips for dealing with it?

Don’t take it personally. Just because you receive a rejection doesn’t mean I (or any other editor) didn’t like it. I try to offer at least a little feedback on every story that makes it through the initial screening, with something I like and something to work on, so take that for what it’s worth—one editor’s opinion—and keep writing, keep submitting, and keep going.

 8) Last question: what new and exciting things are headed our way from Havok magazine?

The single most exciting thing coming is our annual contest issue, coming in July. The theme this year is Rampage! Monsters vs. Robots. The theme description is on our website. The Grand Prize includes an Amazon gift card and a bunch of ebooks and other goodies. And don’t forget to check out all the other themes from Havok and from Splickety’s other imprints for this year.


Avily Jerome is a writer, the editor of Havok Magazine, an imprint of Splickety Publishing Group, and a book reviewer for Lorehaven Magazine. Her short stories have been published in multiple magazines, both print and digital. She has judged several writing contests, both for short stories and novels. She is a writing conference teacher and presenter, a new-author mentor, and a freelance editor. In addition, she enjoys speaking to local writers’ groups.

Her fantasy short story serials, The Heir, and the sequel, The Defector, are available on Amazon, and book three, The Silver Shores, is coming soon.

She loves all things SpecFic, and writes across multiple genres. Her writing heroes include Joss Whedon, Robert Jordan, and J.K. Rowling, among others. She is a wife and the mom of five kids. She loves living in the desert in Phoenix, AZ, and when she’s not writing, she loves reading, spending time with friends, and experimenting with different art forms.

To contact Avily or to find out more about her mentoring and editing services, please visit her website at www.avilyjerome.com

“The Food Bank” & The Arcanist Trio

The Arcanist just published my flash fiction piece “The Food Bank,” and it’s free to read on their site. This is a post-apocalyptic horror story with a dash of sci-fi for seasoning. It’s also got giant bugs in it. Simply click the big bug below to read.

“The Food Bank”

This is my third publication with The Arcanist, and if you write or read speculative flash fiction, you should definitely give them a look.  If you’re so inclined, you can check out my previous two stories, “Cowtown” and “Reunion,” by clicking on the cow or the seashell below.

“Cowtown”

 

“Reunion”

One-Hour Flash – Big Game

Here’s another installment of One-Hour Flash. Yep, another flash piece written in one hour that has been languishing on my hard drive for years. I’ve deemed all the stories in this series not quite good enough to submit (for various reasons), but there are elements I like in each one that might warrant revision or more likely expansion at some point.

Today’s story is called “Big Game,” and I’m pretty sure it’s the only piece of true military sci-fi I’ve written.


Big Game

General DeVeers walked at a pace Daniels found hard to match. The general’s longer legs and superior fitness ensured Daniels would be breathless and sweating by the time they reached the firing range. The general seemed unconcerned about the discomfort of the short, chubby scientist half-running and half-limping behind him, and he peppered Daniels with an unrelenting barrage of questions.

“Have you solved the issue with aggression yet?” DeVeers asked.

“We think so,” Daniels said, puffing. “The most recent batch have displayed a vastly reduced predatory instinct, although they still retain enough of it to serve our purposes.”

DeVeers nodded. “What about manual dexterity? The last batch of quickened had trouble holding their weapons. That put accuracy in the shitter.”

“Yes,” Daniels said and grimaced, and not just because he had to jog to keep up with the general. They’d almost lost their funding and the entire project when DeVeers had seen the test results. Luckily, the addition of a bit more human DNA to the mix and a little good old fashioned trial and error had ensured the latest batch had fully functional opposable thumbs.

“And intelligence?” DeVeers asked. “Are they smart enough to take orders and carry them out?”

This was Daniels’ own area of expertise, and he was pleased with his efforts. “Average IQ in the last batch was 105,” he said. “Outliers as high as 120.”

“Christ,’ DeVeers said. “That’s higher than a lot of human grunts. Well done.”

Daniels suppressed the smile blooming at the corners of his mouth. Praise from General DeVeers was like water in the desert—both exceedingly rare and potentially life giving.

They had reached the end of the three-mile-long passageway that connected the two halves of Luna Base. The massive steel door in front of them led to the labs, the holding rooms for the quickened, and the firing range. A pair of guards in gray blastek armor barred their way. They, like all military personnel on Luna Base, were on loan from General DeVeers, and they quickly stepped aside to let their commanding officer through.

The general waited patiently while Daniels punched in the door code, then brushed past him once the door opened with a soft hiss of escaping air. Beyond lay a maze-like complex of hallways, rooms, labs, and everything else needed for Project Sapia. The general took the lead, navigating the labyrinth easily despite only visiting Luna Base twice before. He had at least slowed his pace a bit so Daniels could walk comfortably beside him.

Daniels soon realized the general didn’t really know where he was going; he just followed the gun shots. The thunderous roar of a Simpson Autocannon is hard to cover up, even four miles underground with a hundred yards of steel and concrete between you and the shooter. The general had a slight grin on his face. Daniel’s surmised that the autocannon’s cacophonous blasts were familiar music to an old veteran like DeVeers.

The firing range was at the very back of the base and opened out onto a massive cavern—a vault, really—as big as a football field. A group of soldiers in gray armor and scientists in white lab coats clustered around a low wall set up on one side of the cavern. A figure crouched in front of the wall, an oversized Simpson Autocannon pressed to his shoulder.

The autocannon went off again, and Daniels clapped his hands over his ears. He’d forgotten his hearing protection and would be nearly deaf for the next couple of days. DeVeers had obviously come prepared, and Daniels noticed bright yellow foamcore earplugs in the general’s ears.

The general approached a group of soldiers and scientists, smiling widely. The soldiers turned to greet them, very careful to leave their own autocannons pointed at the ground. Their eyes shifted nervously back and forth between the general and Luna Base’s pride and joy, Subject 31, also known as Simba. They’d had to put down no fewer than ten of the quickened in the last six months, usually because something triggered a prey response. Daniels silently hoped they’d worked out that last bit with Simba and his brothers.

“That’s enough shooting, Daniels,” DeVeers said. “Let’s have a look at him.”

Daniels nodded and signaled to one of the other scientists, Martinez, who acted as the surrogate for the quickened. She’d raised each one of them from test tube to adult.

“Simba,” Martinez called out. “Come here and meet General DeVeers.”

Daniels couldn’t help but smile at DeVeer’s sharp intake of breath as Simba stood and placed his autocannon on the rack next to the wall. At eight feet tall and 350 pounds, he looked even bigger in his custom blastek armor. His head and face were a smooth blending of human and feline characteristics, alien yet somehow alluring. His fangs jutted just below his upper lip, and his eyes were large and golden, although the irises were round like a human’s rather than slitted like a cat’s. Simba’s mane was long and a tawny yellow; it almost looked like human hair in certain lights.

“General DeVeers,” Simba said, his voice a low rumble. “Mother says I am to serve you. To fight your enemies.”

General DeVeers nearly shook with glee, but when he spoke, the words were laced with still, tight and rigid. “That’s right, Simba. You and your brothers are going to be the finest unit in the entire damned United Military.”

Simba’s mouth fell open in a toothy grin. “We will be your pride. We will kill for you.”

Daniels nodded at Martinez. She put her hand on Simba’s massive forearm and led him away.

“Jesus, Daniels,” DeVeers said. “He’s perfect. If you’ve really worked out all the bugs, the rebels won’t know what hit them. What about the other quickened?”

Daniels grinned, relaxing for the first time since the general’s visit. “If you liked Simba, wait until you see Smokey and Shere Khan.”


So, what’s the issue with this one? Pretty simple, really. This isn’t a complete story. It’s a vignette or the opening bit to a longer piece. Honestly, I kind of dig the military sci-fi premise, and I like the characters too. That said, there’s more work to be done to turn this premise into something resembling a real story. Maybe I’ll flesh it out at some point.

Oh, and I can’t remember why I called this one “Big Game.” The title doesn’t really work for the story, but it was certainly something I latched onto in the desperate seconds between finishing this story and posting it for the one-hour flash fiction contest. I know, I should have called it “Lions, Tigers, and Bears,” right? 🙂

If you’d like to check out the previous installments in the One-Hour Flash series, click the links below.

One-Hour Flash: Kite Flyers

Hey, all, here’s another installment of one-hour flash. I’ve got a weird one for you this time. With these one-hour flash challenges, you get a prompt, usually a photo, and then you have sixty minutes to write something resembling a coherent story. Sometimes that prompt resonates, and you come up with something pretty workable. Sometimes it doesn’t and you struggle to come up with anything, and when you do, it’s, well, bizarre. This story is the latter. The prompt for this one, if I remember correctly, was a photo of big squid kite, and, as a horror author, my mind immediately latched on to . . . well, you’ll see.

Anyway, here’s a story called “Kite Flyers.”


Kite Flyers

They looked foolish. Samuel knew it, but at least the fog gave them some cover. It was probably better the few people in the park couldn’t see all the kite flyers clearly, anyway. Some of them only came out on this very special afternoon when the wind and the fog mixed, creating a sky full of swirling grey eddies and whorls.

Samuel stood on a hill, his kite in the air. It pulled at the spindle in his hands as it surged against the twine and the wind. He could just make it out in the fog, a wide canvas diamond with a vivid yellow cross. In the middle of that cross was a collection of Latin words culled from an ancient Christian manuscript, the Book of Lios. That particular book hadn’t been considered for entry into the Bible most Christians were familiar with. In fact, the church considered it witchcraft and had ordered most copies burned over five hundred years ago.

Samuel could see the shapes of other kites now, as each kite flyer took his or her place on one of the many low mounds surrounding a patch of reddish-brown clay. He knew the city had tried to grow grass in the patch for years with no luck. Nothing would take root there, not even weeds.

The wind picked up, and the fog thickened. Two events that any weather man would tell you were completely contradictory. Not on this afternoon. He looked up and saw other kites through the fog: a blue square with the Star of David in gold, a bright red triangle with the dharmachakra of Buddhism, and he could just make out the shape of a golden box kite painted with the interlocking spiral of the yin yang. He knew each of these kites, like his, bore text from works far older than the faiths they represented. Words that had been folded in to each faith and largely forgotten. Forgotten until today, when the kite flyers took to their mounds. He knew more kites lurked in the fog, some representing religions he recognized and some bearing strange sigils that belonged to faiths with few adherents. Few human adherents, anyway.

They all gathered on this day, their differences in doctrine and theology—no matter how acrimonious—set aside to focus on one goal. That goal had just taken flight, and its owner stood in the center of the mounds. The kite was massive, far larger than any single person should be able to handle—a great green monstrous thing, a floating octopoid head trailing dozens of streamers of bright pink canvas tentacles. The symbols on the great squid kite were a riot of strange angles and spikes. It hurt to look at them. It hurt even more to look at the kite flyer, even though he wore a great brown shapeless coat that covered most of his body. His proportions were oddly humped, and his stooped frame suggested something awful and ancient. He gripped his kite spindle—its twine a greasy pink like a length of stretched intestine—in gloved hands that had too few fingers or perhaps too many.

Samuel pulled his attention away from whoever flew the squid kite and focused on his own. He let out more string, moving his hands lower at the same time. His kite darted in the wind, moving back and forth. The box kite was the first kite to make contact. It snapped out the air, diving in low, its flyer clearly trying to pull his kite string across his target’s. The squid kite moved quickly to the left—against the wind—and the box kite missed its mark and smashed into the red clay in a tangle of canvas.

Samuel grimaced. One down.

More kites appeared in the air around the great squid, a riot of shapes, colors, and religious symbols on the wind. They dived in and out, their flyers trying desperately to smash their charges into the great floating orb of the squid or snap its string. They failed. The squid kite moved with unnatural speed and agility, avoiding the dive-bombing swarm of smaller kites. Its operator also snapped his kite’s streamers, the squid’s tentacles, up with surprising force, smashing enemy kites out of the air and sending them crashing to the ground.

Soon the clearing between the mounds was littered with downed kites and terror gnawed at Samuel’s belly. He had never seen so many fall so quickly. He let out enough twine to make his own attack but held off. There were still kites in the air: the Star of David still flew along with others he did not recognize. They were holding back, waiting. They had one more shot, one more massed attack. If they failed . . . He didn’t want to think about that. About what it meant to the world beyond the fog if all their kites fell and the great squid still flew.

It was time. He felt it, just as the other kite flyers must have. Attack now.

Samuel pulled hard on his spindle and his kite darted out of the fog, down toward the great squid. Others were doing the same, but this time they coordinated the assault, with equal numbers attacking the body of the great kite and its string. The squid juked in the air, avoiding all but one of its attackers. He saw a kite in the shape of great black crow slam into the squid and heard the sound of snapping kite spars. The squid shuddered but did not fall.

Samuel’s own kite now made contact, and its twine crossed the thick pink ribbon keeping the squid aloft. The spindle shuddered in his hands and it was nearly torn from his grasp. Then the sound of twine snapping echoed across the park. The squid’s line parted, and its operator stumbled backward with a shrill alien cry.

The great squid floated to the ground slowly, flattening out once it contacted the earth like a gob of mucous spat from the heavens. The remaining kites fell around it as their operators climbed down from their mounds. Samuel dropped the spindle and turned his back on the field of ruined kites. He would return in one year, on the day when the fog and the wind collide.


I warned you. Weird, right? The problem with this one is not so much that it’s a vignette or a scene; there’s actually kind of a story here. The problem is the concept is so preposterously strange (I’d even venture to call it silly) no one would publish it. Still, I’m amused by what my desperate brain came up with when given the chance to mix kites, of all things, and horror. Yep, the dreaded Cthulhu kite of doom. 🙂

If you’d like to check out the previous installments in the One-Hour Flash series, click the links below.