Posted on September 18, 2025 by Aeryn Rudel
When I set out to write this series, I knew I’d be writing openly and honestly about the ups and downs of the publishing business as well as the grueling grind of submitting short stories. As such, I’ve detailed decent years, disappointing years, and, yeah, even a bona fide good years. Today, I get to write about something even better, a stellar year, my best submissions year ever in the decade and change I’ve been doing this.
So, let’s jump into Rejectomancy Year Six.
Total stats for 2020.

So, as you can see, 2020 was a all kinds of good. I sent a solid number of submissions, and I managed an acceptance percentage over 21%. That’s pretty hard to do, and I was and am damn proud of my hit rate in that year. I also made a decent amount of money on short story sales, and while it’s not the kind of cash that you can make a living on, it ain’t bad for publishing flash and shorts in the SFFH market. If I hadn’t already been an SFWA member, I would have qualified for a full membership off this year alone. So, you know, not too shabby.
And here are all my acceptances for 2020.

I scored 17 acceptances in 2020, one less than than the 18 I scored in 2018, which remains my personal record. That said, the quality of acceptances in 2020 was much better than 2018. Eleven of my seventeen acceptances were to pro-paying markets, and there’s a first place flash contest win in the mix as well that netted me 300 bucks. Not bad.
In addition to the acceptances, I got a lot of close-but-no-cigar rejections from pro markets. It was already a great year, but I can’t help but feel that I was a stone’s-throw away from something truly epic. This is not to say that I look back on 2020 with any kind of regret. If I could put this year on repeat from now until the end of my career, I would absolutely do it.
Again, you’ll notice that many of the markets I sold stories too just five years ago have closed, gone on indefinite hiatus, or, in the case of Dark Matter, stopped publishing a periodical to focus on books and anthologies. This is, unfortunately, just an indicator of how hard it is to publish and sustain a magazine or journal. Something that’s only gotten more difficult in the past few years.
And that’s Rejectomancy Year Six. We have climbed to the peak of my personal submissions mountain, and though I will have some decent years to come, I haven’t been able to quite reach the heights I attained in 2020. This year, for instance, has been okay, but we’re in no danger of using words like “best” or “greatest” or “stellar.” 🙂
If you’ve missed any of my Ten Years of Rejectomancy posts and want to catch up, here are the links to the others in the series.
Thoughts or opinions about Rejectomancy Year Six? Tell me about it in the comments.
Category: My WorkTags: Aeryn Rudel, books, fiction, Flash Fiction, Publishing, rejection, Rejection Letters, Rejectomancy, short stories, Submissions, Writing, writing tips
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Ah, 2020, what a wonderful year. One of the most tumultuous in recent memory. I wonder if there’s any correlation/causation to the bump in your success with the WFH, live-on-our-phones theme?
What about trends in the viability of short form publishing, and can there be any knowledge gleaned from it?
You know, I’ve looked for a pattern that would indicate the events of 2020 had some bearing on my submissions. I can’t really see anything. Response times from publishers didn’t really change much or at all. I think some of this was just luck of the draw. For example, Dark Matter Magazine opened in 2020, and the editor liked my work so I was able to land a couple of publications with them. I also kind of figured out what Flame Tree Publishing was looking for that year, which resulted in another three acceptances.