One of the toughest questions writers sometimes ask themselves is if a particular publisher is a good market for their work. When the form rejections pile up, you begin to wonder if maybe they just aren’t into your style, voice, tone, etc. That’s entirely possible, but make sure you’re not jumping the gun. To illustrate what I’m talking about, let’s take a look at a couple of markets I’ve sent a bunch of stories to without a single acceptance. Let’s see if it’s a case of “it’s not you, it’s me” or if I need to keep trying. I won’t use the names of these markets because this isn’t about calling out a publisher that has rejected my work (because that’s silly and counterproductive). It’s about examining my work, looking for ways to improve, and more importantly, looking for ways to be a more efficient and ultimately successful short story writer.
Market A is a well known SFF market, and I’ve submitted there a total of twenty times, each submissions ending in a rejection. Now you might look at that number and think, well, here’s one market that just doesn’t like his work at all. Based solely on the number of rejections, I might agree with you. If you look closer, though, you’d see a lot of those rejections are higher-tier, and three of them are final-round, you-almost-made-the-cut types. So, what does that tell me? Couple things.
Market B is another prestigious SFF market to which I have submitted many times, to the tune of thirteen total rejections. In contrast to Market A, however, I’ve received mostly form rejections with one hold, which was then rejected with another form letter. Let me reiterate, this post is not about trying to prove Market A is right and Market B is wrong (this isn’t a wrong or right situation to begin with). It’s about reading between the lines, taking a good hard look at your work, and possible redirecting your meager writing resources. Now, if I look deeper at the rejections from Market B, what might I learn? Three things.
So when the form rejections keep rolling in, it’s only natural to ask yourself, “Is this market for me?” The answer to that question could be, no, they aren’t a good fit for you, but make sure to do your research. You don’t want to give up on a Market A scenario. Remember, not all nos are created equal, and some, like the ones I’ve been getting from Market A, are what I’d call good nos. In my experience, good nos can and do sometimes lead to a yes in the end.
As usual, this post is drawn entirely from my own experience, which informs the opinions you see here. I’m sure there are folks who went on to publish at a prestigious market after many, many form rejections, and there is definitely merit to that kind of tenacity. Ultimately, every author needs to decide how best to utilize their writerly resources, and it’s never a one-size-fits-all kind of thing.