One of my favorite things to talk about on this blog is my most-rejected story. It’s a battered and beleaguered urban fantasy tale that has endured more close-but-no-cigars, shortlists, market closures, and of course plain old form rejections than any other story I’ve ever written or submitted. Of course, it may be time to take the hint and trunk or self-publish the piece, but before we get into that, here’s the story’s report card.
So, yeah, this story has been around the block a time or two or, you know, twenty-seven. It’s piled up the rejections, but what’s kept me going is the fact it keeps getting good feedback and the occasional shortlist. It’s also seen a bit of bad luck. Two of the withdrawals came about because the market in question closed down. One of those markets had the story shortlisted at the time.
It may be I’m blind to the story’s faults at this point or just stubborn about them. I have listened to the feedback I’ve received, though, and said feedback comes in two stages: prior to a substantial rewrite and after. Much of the feedback before the rewrite mentions how the story feels like a prelude to something longer. I took that to heart and expanded the tale, adding a bit more world-building and character background. The second stage of feedback is the more general close-but-no-cigar stuff. Basically, praise for the story (especially the overall concept), but still a no.
I think the rewrite improved the piece, but obviously not enough to get it accepted. For score-keeping purposes, four of the personal rejections and two short lists came before the rewrite and four personal rejections and one short list came after. So, pretty even there.
The real problem here is this story has gone to twenty-seven different markets, and I’m running out of places to send it. Now, I wait for fledgling fantasy markets or anthologies to pop up on Duotrope before I send the story out again.
Back to the original premise of this post. Should I trunk, self-publish, or stick to my guns and keep firing the story out there? Let’s look closer at those options.
Ultimately, I’m still on the fence about this story. Though, if pressed, I’d say I’m leaning toward a combo of rewrite and self-publish.
What do you think? Let me know in the comments.
This is a question worth coming back to again and again, Aeryn. I’m surely not qualified to give you advice, but for myself, one of the benefits of having decades of experience (that means I’m OLD) is that I’m now confident when a story is done. For me, that means when a story is rejected, I just haven’t found the right audience for it, yet. Also, reader/editors for many markets change VERY regularly, so your story might be welcome now at market that rejected it months or years ago. Maybe give those early markets another try?
Us Brits love an underdog, so now I’m rooting for this story and would love to see it finally get an acceptance. We could even have a Rejectomancy party to celebrate.
Hmmm… I think you should send it to me, so I can read it – cuz I’d hate to offer advice based on an uninformed opinion…. 😉
Have you thought of POD? I published my first book through Booklocker (https://booklocker.com/) and am very happy with the service they provided. If you can afford it they offer a range of options from DIY from about $350 to ‘full service’ including editing, cover production and won’t try to upsell you. I have no affiliation (except that they published my book) but recommend them and would definitely use them again.
Thank you for this. It helps to know other folks are facing the same struggles. My most rejected story isn’t at 27 hits yet, but at least I can feel like it might be worth it going at least that far. I hope that story finds a home. It deserves it at this point. 🙂
Thanks. The story is going to get another extensive revision, and then we’ll see what happens. 🙂
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