I’ve written a couple of posts on my various rejections records, lists of dubious achievements in number, speed, and type of rejections. Because I send out so many submissions, it should come as no surprise that a lot of these records don’t stand for long. Today, I’d like to share a new rejection record with you and tell you why this particular record is a source of motivation rather than a source of frustration.
The record I recently broke (multiple times) was for most rejections from a single publisher. My old record was nine (9). Before I get to the new record, there are some honorable mentions I’d like to discuss.
- Honorable Mention #1 – Rejections 8; Acceptances 1
- Honorable Mention #2 – Rejections 10; Acceptances 1
As you can see, after a healthy number of rejections (even a short-lived record-setter) I finally broke through with these publishers. One is a pro market and the other is semi-pro. The reason I mention these two is to encourage folks not to give up on a market just because they’ve been rejected a bunch. Sometimes you have to keep trying until you find the right story. I managed to do that with these two markets, and it’s a highlight of my year.
Now, on to the record.
My new record for most rejections by a single publisher is . . . SIXTEEN (16).
I know, some of you are thinking, goddamn, take a hint! I might think that too, but let me tell you why I keep trying.
First, this is a professional market with a very low acceptance rate. As with most top-tier markets, they’re tough to crack even with a good story. I know that kind of sounds like an excuse, but I’ve seen editors from similar markets publicly state they turn away quality stories all the time for a myriad of (good) reasons. (Another reason you shouldn’t give up on a market or story, but more on that below).
Second, my rejections from this publisher are getting “better.” Earlier in the year, after a bunch of standard form rejections, I received a second-round rejection (sort an upper-tier rejection), and my last rejection was a short-list rejection, which means I was at least within spitting distance of publication. I’d call that progress.
With these factors in mind, I’ll continue to submit to this market because I have a better idea of the type of story they want, and my chances at publication are better than they’ve ever been (still not great, but better). Again, I’m telling you this because rejections don’t necessarily mean you should give up on a market (or a story, for that matter). If you’re working on and refining your craft (and your submission targeting), then keep trying, keep submitting, and you might find the right story to crack that tough market.
If you’d like to see my other rejections records, check out these posts.
I’v broken a few more records this year, so look for an updated list of my rejectomantic achievements in 2019.
Got a rejection record you’d like to share? Tell me about it in the comments.