If you’re like me—and I assume you are since you read my blog—then you probably spend a lot of time submitting fiction to the multidinous array of print and digital publishers out there. But there may be a type of market of which you’re unaware, like I was until just a short time ago. What I’m talking about are the markets that publish audio versions of short stories. There are a bunch of these, actually, and I’ve been submitting to a few of them pretty regularly. So why should you add audio publishers to your list of targeted markets? Ooh, I feel a numbered list coming on.
Now that I’ve told you why you should consider submitting to audio markets, let me point you at some good ones.
At the top of the list are the four Escape Artist podcasts: EscapePod, PseudoPod, PodCastle, and Cast of Wonders. These markets publish sci-fi, horror, fantasy, and YA respectively. They are awesome for a number of reasons. One, they pay pro-rates for original fiction and really solid rates for reprints. Two, they accept simultaneous submissions, and they get back to you in a reasonable amount of time, about 45 days, which, in my book, is fine for a publisher that allows sim-subs. Lastly, they are awesome because they accepted my story “Night Games” for PseudoPod, which will air in September 2016. I’m more than a little excited about it.
Next up is The Drabblecast, an award-winning market who describe themselves thusly: Strange Stories, By Strange Authors, for Strange Listeners. As you can probably guess, they’re a spec market with a pretty open definition of what constitutes speculative fiction. The Drabblecast is a semi-pro publisher that pays .03/word, and they publish short fiction, flash fiction, and micro fiction. Like the Escape Artist podcasts, they are very open to reprints, and they accept simultaneous and multiple submissions. The Drabblecast has a very fast turn rate, averaging about a week for rejections and a month for acceptances. All that adds up to a great publisher with very flexible submissions and content policies.
Know of any good audio markets? Tells us about them in the comments.