Proofing Checklist: Just Nod & Smile
Posted on August 29, 2019
by Aeryn Rudel
I recently finished the latest revision of my novel, and after all the heavy lifting was done–you know, adding new scenes, tweaking character motivations, all that–it was time for one more proof before it goes back to my agent. Now I have a pretty lengthy proofing checklist that includes all kinds of things, from overused words, sentence structure bugaboos, adverb annihilation, dialog tag correctification, the works. What I want to focus on today, though, is body language and nonverbal cues, and more importantly the ones I tend to overuse.
As usual for these things, what follows is how I write, revise, etc. I’m trying for a specific style with my work that won’t be a good fit for everyone. So with that disclaimer out of the way, let’s nod, smile, shake our heads, and grimace this thing to death. 🙂
As I alluded to above, the prime suspects for overused body language in my work are nod, smile, and shaking heads. The first two, especially, can get pretty egregious, and I end up removing half or more of them in a given manuscript. I also tend to overuse frown, grimace, and, oddly, shudder to a lesser degree, plus a few others.
So how and why do I fix my nods and smiles and so on? Well, here are some examples.
1) It doesn’t make sense. Sometimes I’m just writing along, making everybody nod and smile, and for some reason I pop one into sentence where it doesn’t make sense. Case in point:
When are you going after them?” Everett asked.
She nodded. “Soon, and you’re coming with us.”
So, uh, why is she nodding there? No good reason. This one just gets nuked, and the sentence and dialog are fine without it.
2) It’s redundant with the dialog. This is kind of a stylistic choice, but I prefer to let the dialog do the heavy lifting when it comes to character emotions, intent, and so on. Often as not, the body language is just redundant. Example:
Everett nodded. “Yeah, that night.” He took a risk and lied. “I spoke with Howard on the inside. He saw the same thing.”
I don’t really need the nodded here because he gives the affirmative in the dialog and I don’t think it adds anything. I might rewrite this one as:
“Yeah, that night.” Everett took a risk and lied. “I spoke with Howard on the inside. He saw the same thing.”
Now there are times where the body language, a nod in this case, does add something to the dialog. Case in point:
He didn’t sit, but he put his hands on the back of the chair and nodded. “Go on.”
I could remove the nod here, but I actually like the three little bits of nonverbal communication here followed by the dialog. Your mileage may vary, but this is one I’d keep.
3) There’s a better word. Sometimes I’ll default to one of my go-to bits of body language even when there’s a better choice. Now, this differs from point number one in that I actually want some kind of nonverbal cue in the sentence. Just, you know, a different one. Example:
He grimaced. “They could have brought you at night to spare you that.” He remembered his own troubles with the sun.
Now a grimace is usually used to denote disgust or pain, but that’s not what the character is feeling here. It’s frustration or even anger, so something different is needed. Maybe it’s:
“Goddamn it,” Everett said through clenched teeth. “They could have brought you at night to spare you that.”
In this case I think that extra bit of dialog and the nonverbal cue sells the emotion I want better than just a facial expression. I also think it works better without the last sentence.
So how many of the offending words did a remove from my 103,000-word manuscript? Here’s the score.
Not bad. As you can see, I removed half or more of the prime offenders while I was more lenient with the others. It should be noted that not all those nods, smiles, and shaking of heads were simply deleted. Like the examples I included, sometimes they were replaced with a more appropriate word or action.
Well, that’s a glimpse into my proofing process, and, again, this is just how I do it. You may use more nods and smiles than me, and that’s cool. Hell, I recently looked at a best-selling novel around the same length as my book, and it had 276 instances of nod/nodded/nodding. That clearly didn’t keep it from getting published or selling in great numbers.
What types of body language and nonverbal cues do you tend to overuse? Tell me about it in the comments.
Great post. I’ve been struggling with this recently too, mostly with eye actions. Too many looked, glanced, glared, stared, eyed, etc.
Heh, those are on my checklist too. I separated them out because they’d required another blog post to cover correctly. 🙂
Awesome post. I’m about to do a similar round of edits. Nodding is a big one for me too. Thanks for sharing your process and good luck with the rest of your edits.
Thanks! Good luck to you as well. 🙂
Nice article, Aeryn. Any chance we could get a follow-up that tackles “sentence structure bugaboos”? I’d love to read such an article.
Speaking of writing, any chance you’ve seen this?
Just wondering (1) whether you’re interested and (2) whether your work with Privateer Press precludes you from working for its competitors.
Yeah, the sentence structure proofing would make a good blog post on it’s own. That’s mostly about avoiding repetition, but it’d be a good one to do with some examples.
I have seen the Black Library open call. There’s nothing preventing me from throwing my hat into that ring other than I just don’t know enough about the setting to write about it (and a general lack of interest, honestly).
Great post, Aeryn! I know you published this a few weeks ago, but at the moment I’m editing a story and using this as a reference. In fact, like Jason, I use a lot of eye actions, so I’m trying to cut those out. But I’m looking out for those nods, too. 🙂